United Kingdom - Darren George

The UK’s national final was held this year at BBC studios in Salford, Manchester.  Mel and Måns were back at presenting duties with a new format to the show.  Three incredible songs performed twice by two different artists. So three songs and six artists battling it out to represent the United Kingdom at the 64th Eurovision Song Contest in Tel Aviv in Israel.

The six artists will be split into three song battles. The Two artists will perform their version of the song and then it will be decided by an expert panel on what song makes it to the final three. The final three will then face the public vote to decide the winning song. Rylan Clark Neal, Mollie King and Marvin Humes were on the expert panel.

First up in Song Battle 1 with the song Sweet Lies we have Kerrie-Anne and Anisa.

Kerrie-Anne

Kerrie-Anne’s version was a massive throwback into the 90’s club scene. This energetic number of Sweet Lies was a great way to open the show. Kerrie-Anne gave us a great performance with killer vocals and dance moves. This performance went down with the crowd in the studio and the judges loved it.

Anisa

Anisa’s version of Sweet Lies is a stripped back ballad showing a lot of emotion. The performance starts with Anisa playing a black piano and leading up to her standing in the middle stage. I don’t think it was the best vocal performance out of the two versions of this song. The judges were mixed about Anisa’s performance.

The judges were unanimous and picked Kerrie-Anne to go into the final three.

Next in Song Battle 2 with the song Freaks we have Jordan Clarke and MAID.

Jordan Clarke

Jordan’s version of Freaks is giving us Freddie Mercury realness, with a hint of the greatest showman. This is a memorable song which is very catchy but despite me not being convinced of the song when I first heard it Jordan sold this song to me in his performance. The judges loved Jordan’s performance and applauded him of his vocals and dance moves.

MAID

A girl band that has only been together for a year giving us a dark pop version of Freaks. The girls gave us a great vocal performance but everything else was a little dull, the whole arrangement of the song didn’t work and it felt like something was missing. The judges were overwhelmingly negative over their performance.

The judges put through Jordan Clarke through to the final three.

Lastly in Song Battle 3 with the song Bigger Than Us we have Holly Tandy and Michael Rice.

Holly Tandy

Holly’s version of Bigger Than Us is a country pop song that does remind me of Kylie Minogue’s new music. Holly is only seventeen years old but she was able to deliver a strong performance. Holly was giving us something different which the audience loved. The judges loved Holly’s county pop version of this song.

Michael Rice

Michael’s version of Bigger Than Us is your typical Eurovision ballad which can sometimes be a bit predictable. Michael gave a good performance with very strong vocals but I hate to say it but it was one of those performances that you have seen before. The Judges loved Michael extensive range and performance.

The judges unanimously pick Michael Rice go through to the final three, but this was a difficult decision for them to make as they thought this was the strongest battle.

So to recap the judges have put through to the public vote Kerrie-Anne with Sweet Lies, Jordan Clarke with Freaks and Michael Rice with Bigger Than Us. They will perform once again before the voting opens!

Interval performances and first up we have Eurovision’s reigning Queen, Netta performing Toy which of course went down with well the crowd.

Graham Norton has been the BBC’s commentator for the last 10 years, would you believe it! We have a quick VT of his favorite moments of the last ten years.

Next we have SuRie performing a stripped back version of Storm on the piano with a four piece orchestra which was the UK’s entry last year.  

Voting closed and while votes are being counted and verified Måns gives us a mash up performance of some of the UK’s famous entries going through the years. Måns was joined by two UK Eurovision winners The Fizz (Bucks Fizz) and Katrina (Katrina and the Waves)

The winner of Eurovision You Decide 2019 and who will represent the United Kingdom in Tel Aviv in May is Michael Rice with the song Bigger Than Us.

Italy (night 4) - Jose Luise Abaya

Sanremo is an institution. Somebody in the form of Alan Tubery, a walking encyclopedia of anything about Sanremo, even informed me that Eurovision was designed from it. Having said that, I feel that I am not the right person to write about Italy’s national selection to Eurovision. I do not follow it and this will be my first watching it. I am apologizing in advance to all of you, my OGAE ROW friends, if you think that this article won’t do any justice. Wish me luck!

I will be reviewing the fourth night of Sanremo Music Festival, which featured the 24 artists singing their song with an assigned duet. Similar to the other nights, the fourth night was held in the Teatro Ariston of Sanremo and it was presented by Claudio Baglioni (who I believed sang the Cirque du Soleil-ish opening song), Virginia Raffaela, and Claudio Bisio. This edition lasted for almost four hours with famous artists providing entertainment during interval acts. I also have to mention that the maestro being introduced before each song gave an authentic feel, reminiscent of the older versions of Eurovision.

Listed below are the artists (with their duets), songs, and my short impressions:

Federica Carta and Shade with Cristina D’Avena  (Senza farlo apposta)

The part with the fast lyrics didn’t work when infused to the song, but I do love the chorus. It was a good performance. 

Motta and Nada (Dov’è l’Italia)

I didn’t connect with the song but I think their duet worked so well, both artists having the same artistic style.

Irama and Noemi (La ragazza col cuore di latta)

Rich in power and soul! I was blown away by Noemi. Irama was also a sight to behold. I had to watch this again  to fully embrace the song.

Patty Pravo and Briga with Giovanni Caccamo (Un po’ come la vitta)

That pause made the song dramatic. Another song with a rap part, which was not necessarily needed.

Negrita with Enrico Ruggeri and Roy Paci (I ragazza stanno bene)

The first few notes made me think of Lady Antebellum. I liked this rock-ballad song. That trumpet was awesome!

Il Volo and Alessandro Quarta (Musica che resta)

What an entrance! Wow! It was an impeccable performance and I think it was a good choice to pair them with somebody who didn’t sing. I am not surprised that the Italian audience loved this song but I think they lost their identity as an operatic trio with this song.

Arisa with Tony Hadley and Kataklò  (Mi sento bene)

This is a song that has many different genres mixed into one. That never works but the upbeat part lightened the mood, for sure.

Mahmood and Guè Pequeno (Soldi)

Mahmood has an amazing raw voice that complemented the song really well. I do love this song and I find it unique. Definitely now what you’d expect in Sanremo but definitely a breath of fresh air.

Ghemon with Diodato and Calibro 35 (Rose viola)

What’s up with songs having parts that are rap/fast lyrics? This is probably the fifth song that has it so far. I don’t think it fit well with this blues song.

Francesco Renga with Bungaro, Eleonora Abbagnato and Friedemann Vogel  (Aspetto che torni)

You can obviously see that the singers gave it all for this ballad song. Another clean cut performance!

Ultimo and Fabrizio Moro  (I tuoi particolari)

Wow, that was an amazing song. It was also nice to hear the flute (was it a flute?) that mellowed the two strong singers. Fabriozio maybe a little bit upstaging so I think Ultimo would have been better singing the song by himself.

Nek and Neri Marcorè (Mi farò trovare pronto)

It was quite obvious that Neri was not helpful at all in this song, which gave Nek to shine. But I did not feel this song.

Boomdabash and Rocco Hunt with Musici Cantori di Milano (Per un milione)

Something different in the midst of a ballad rich competition. I love the backup singers!

The Zen Circus and Brunori Sas (L’amore è una dittatura)

I am sorry but I cringed when I first heard the chorus. I did something else while waiting for this song to end.

Paola Turci and Giuseppe Fiorello  (L’ultimo ostacolo)

I kept waiting for the big reveal but it never came. Gave it a couple of chances but I did get to like it.

Anna Tatangelo and Syria (Le nostre anime di notte)

Good singers, perfect pairing, but an underwhelming song.

Ex-Otago and Jack Savoretti  (Solo una canzone)

I ended up liking this song. The mixture of English and Italian worked well and the singers complemented each other.

Enrico Nigiotti with Paolo Jannacci and Massimo Ottoni  (Nonno Hollywood)

Quite monotonous for me. I have seen that sand art already.

Loredana Bertè and Irene Grandi (Cosa ti aspetti da me)

As soon as I saw Loredana, I expected that this will be an interesting performance. She sure gave us attitude and passion. I just wished she didn’t scream most of the song. The audience seemed to love her.

Daniele Silvestri and Manuel Agnelli (Argentovivo)

Was he even singing? Manuel did not help either. Did I hear a rap again? Next!

Einar with Biondo and Sergio Sylvestre (Parole nuove)

Einar can just stare at me until I call the Italian number to vote for him. The three singers sang well together which made this song sound contemporary. There’s another rap part but this time it worked.

Simone Cristicchi and Ermal Meta (Abbi cura di me)

This was the the 22nd song and it did not help that this was a dragging one. I easily got bored with this song.

Nino D’Angelo e Livio Cori with Sottotono (Un’altra luce)

Some jazz and blues action happening here. I like it… so as the three singers. I found them amusing to watch.

Achille Lauro and Morgan (Rolls Royce)

This song woke me up, in a bad way. I didn’t expect that at all but there will always be an eccentric entry in a competition. This was it.

Three-ish hours after, the night finally came to a close. The juries gave the Best Duet Award to Motta and Nada. The organizers also decided not to disclose the blue, yellow, red rankings of the songs, as what they did on the previous days. What can I say after having my very first Sanremo experience? I do get it why Italy loves it. I am committed to watch the finals night!

 

Australia - Michaela Sowden

In 2014 Australia was asked to provide an interval act in Copenhagen, SBS chose  Jessica Mauboy who sang Sea of Flags. In 2015 the Austrian Host  broadcaster ORF decided to allow  Australia to participate in order to commemorate the 60th Contest. Guy Sebastian was chosen internally and represented Australia with Tonight Again. Australia has been competing ever since with artists chosen internally by an Australian jury. Guy Sebastian’s 5th place was topped the following year  by Dami Im , who  came in second. Isaiah  was the entrant for 2017,his song “Don't  Come Easy” came in 9th,  followed by Jessica Mauboy who finished 20th with her song “We Got Love”.

In 2018, came the announcement, the fans had been waiting for, that in 2019 Australians would decide who would represent them.  SBS announced an open submission for interested songwriters to submit songs. 10 songs were chosen out of over 700 submissions. SBS also decided on the format of the Competition and that there would be a non televised Jury final, followed by a matinee show and finally the Final on 9th February 2019, with a 50/50say between an Australian jury and a televote.

Overall the show was brilliantly produced. The atmosphere in the convention centre was one of anticipation, and friendliness. Everyone was happy and hopeful their entrant would be picked,.

Myf Warhurst and Joel  Creasey were the hosts, to be honest Myf was the better of the two.

Ella Hooper

Ella Hooper of Killing Heidi fame, sung “Data Dust”, written by Alice Chance. To me an ordinary song, not bad, very easy listening, certainly not outstanding. I would say a competent song with lots of hooks. She delivered this pop rock song just with aplomb. The costume was interesting not sure lace jumpsuits are my thing. The staging, well there was no staging really. Quite sure it would be forgotten. The jury gave her 12 point , the televoters 6.,  and thus making her 10th.

 The verdict: 🤔🤗

Electric Fields

Electric Fields performed a song called “2000and Whatever” written in English and Pitjantjatjara by Michael Ross and Zaacharial Fielding. What a song, what a sound I can just say wow. Love to hear indigenous language. This is a toe tapper, sing along, get the audience going song. This would get noticed on the Eurovision platform.. My only let down was, when I was watching the TV performance , it was really difficult to get good angles, I got dizzy from the to and froing. It appeared messy.. Apart from the LED screens in the back no staging, but it does fit the performance. Costuming was fine, both singers in all black, with Zaacharia wearing a fringed cloak and initially a scarf, which was taken off.. The thing to note is that there was so much energy coming from the stage throughout  the performance, and it also came across via the TV screen. They finished 2, as the jury giving them 44 points, and televoters 70.

My verdict:🤗🤗🤗

Mark Vincent

Mark Vincent was up next performing “This is Not the End”, co-written by him, Isabella Kearney-Nurse and Roberto De Sa. Dressed in a black suit and shirt he took centre stage. No props, just the stage  and the camera circling him and zooming in. The voice is sublime, just magnificent. He draws you in and you just have to listen to him. The song itself is again average, very musical theatre. If not for his vocals, the performance would have been  underwhelming.  Simplicity is great but you do have to draw in those who do not like this genre. He finished 7. Interesting note that both jury and televoters gave  him 19.

My verdict:🤗😊

Aydan Calafiore

Dust written by Aydan, Cam Bluff and Dylan Joel sung by Aydan Calafiore was up next. Although only 18 Aydan has been performing for a while. In 2012 he was the youngest member in the reboot of Young Talent Time. In 2013 at age of 12, he auditioned for Australia's Got Talent and was eliminated in the semi final. 2018 saw him participate in The Voice Australia where he placed 4th.

Dressed in all black , Aydan took centre stage. There were no props or dancers , just Aydan. I didn't mind the simplicity of the staging. He did draw you into his performance, he moved well around the stage. The song is ok , generic but still gets you in. It builds up nicely but watching it on TV was certainly different to the convention centre. I got caught up with it in the centre but at home lost interest towards the end.. Nice , easy listening song, lovely voice but nothing to send one in a spin He came 6th , with the Jury giving him 38 points, the televoters 10.

MY verdict: 🤗😊.

Courtney Act

“Fight for Love” was up next. The song was co written by Danny Shah, Felicity Burt, Courtney Act and Sky Adams, performed by Courtney Act All I can say is: that girl knows how to stage her song.

Courtney was centrestage in the dark. She was backlit so you could just see her silhouette . She started  singing and it builts up to see her on stage in red wearing a geometrical heart shaped hat. She was  joined by three male dancers in red. There were props in the shape of red boxes and in the end she released a heart shaped balloon through the centre of the stage.. The song for me was a little old fashioned in tune, nothing new. Courtney can sing but listening to the video live version’ she  sounded a bit flat. The jury and public gave her 26 points ,  making her fourth. As I said she knows how to use the stage to her advantage, but she has been doing this for a long time

My verdict: 🤗🤗

Leea Nanos

Well this is a surprise package, this sixteen year old has a bright future ahead of her She co-wrote “ Set me free” with Frank Dixon. The song had a  constant beat, there were slight crescendos . It does, however, become a bit monotonous .Her voice was not that strong on the TV, there were some notes that she did not control, . In the arena she was great, on playback she disappointed a little. Again very simple staging, just the leds, and camerawork zooming in. No dancers or props were used. Leea wore o modern tight black jumpsuit ( black seemed to be the preferred colour until now), it was age appropriate. The public gave her 11. She came 9th overall.

My Verdict: 🤗

Sheppard

Well , I admit  I like  Sheppard.Their anthematic song was written by George Sheppard, , Amy Sheppard, Jay Bovino and John Hume. The staging made use of the LED lights., and did that very well, using images of fire,hearts and  space in the right moments. The song itself is written in their style, not sure how to describe it, but along the lines of Geronimoand Bombs Away. It is catchy, you can feel their energy live, which does not translate as well to the screen It is a good , solid song. George was wearing black with a bright flowery bomber jacket, Emma had a silver sequined mini on whilst Amy wore black culottes and a sequined geometric top. She also wore a crown- pure Eurovision styling The jury points were 41 ,  the televoters 46, making them third.

My verdict:🤗🤗😊

Alfie Arcuri

The next song “To Myself” was written by Alfie Arcuri, Audius Mtawarira and Seb Mont. Again the staging is simple , it starts with the phone lights waving and there are lights in the background mimicking the phone lights. Alfie moves around the stage, with the camera zooming in and then cutting across to the audience. Black is again the colour of choice for the clothing, not sure why there is no flare. His song is again average, not bad , not superb , but he sings it well. I do like how he seems to build up to the chorus of heya, it does get your attention.  His voice is good, he certainly would make a great contender, in saying that they all are. He appeared to convince the jury, who gave him 35 points , the audience 14. He came fifth overall.

My verdict: 🤗😊

Kate Miller Heidke

Ok, now down to business. Kate is such a talented artist , who has been in the music industry for years. She is also a trained opera singer , who started out in that genre singing for Opera  Queensland. As a classical singer she had won many awards before leaving opera behind. She cowrote her song “Zero Gravity” with her husband Keir Nuttall. It is a very personal song about coming out of depression.

In Kates own words :” it tries to capture that feeling of transcending a long period of depression.  Especially, what coming out of that feels like, and what it feels like when the world gets its colour back and things come back into focus. For me, after the birth of my son, Ernie, I went through a long period of feeling like I'd lost my identity and feeling very sort of foggy and down in a lot of ways, and it took a couple of years after he was born for me to feel like I was regaining my strength and clarity and motivation and regaining a sense of who I was as well. And that was just an amazing feeling and so that's what this song tried to capture.”

She appeared on stage to the roar of the crowd. Her staging was awesome, same me say been done before, but apparently her sky high dress was even higher than then Elina's, by a couple of metres, and was wearing a crown. The dress does not change colours but does have a pattern. The pole artist at the back added extra interest and was symbolic for the depression being lifted away.

Her vocals were impeccable. The song is technically very difficult to sing as  Kate said in one interview. What struck me was the emotion with which she was singing . It just captured you. Everyone in the Convention Centre was singing along. The applause at the end was thunderous. Obviously the jury and televoters agreed and she was awarded the highest points, 48 by jury and 87 by the audience..  She finished first and is Australia's entrant.

My Verdict:🤗🤗🤗🤗

Tania Doko

Last to perform and following the Kate's performance was Tania Doko, with a song called piece of me, written by Tania, Christian Fast and Peter Mansson. Tania, of Bachelor Girl fame , is a true performer and delivered this pop song well. Her vocals were great. The staging used the LED lights in a purple hue, matching Tania's jumpsuit. She had two dancers on stage who did leave midway and then returned. The choreography was ok. The song  doesn't really stand out,, average on the whole. The judges liked it much more than the televoters, awarding her 17 points to the televoters 6, making Tania overall 8th.8th.

My verdict:🤗

Overall SBS put on a great show. The quality of songs and performers was great. My top three were the same as the final three. I would have been ok with any of the songs, but am happy that Australia took a risk.

Montenegro - Nikke Allen

The Montenegran National Final Monteviziija was held on Saturday with 5 artists all vying for the right to represent their country at Eurovision in Tel Aviv this year.

After a cover version of "Inje", last ear's entry and a montage of past Montenegran Eurovision entries, the show started.

1.  D-moll - Heaven

The song opens with the group sitting posed on a backdrop of musical notation which makes quite an impact.   There are six members of the group and all are dressed in black.  The song is a mid-tempo feel good song. and is also in English, but the vocals are a bit undistinguished, however it's a nice change from the usual Balkan uptempo beat by a female singer.   

3.  Monika Knezovic -Nepogrjsivo

A very vibrant red stage and dry ice heralds the start of Monika's song.   She is dressed in gold and has 2 female dancers backing her.   The song starts off slow and then picks up tempo with a good beat.   There's some playing of fake cellos by the backing dancers which I find a bit naff, but overall, Monika has good vocals.

2.   Andrea Demirovic - Ja sam ti san

Red stage and fog rolling over the stage floor plus lazer lights directly behind Andrea.   She is dressed in black and looks rather severe, plus she has a horned devil dancing with her!   Rather a heavy electronic sound to this song but her vocals are good.  Could do without the devil cavorting around her though as it distracts from what is a very powerful song that build to a climax.

4   Ivana  Popovic Martinovic -    Nevinost

Quite a stark stage accompanies the beginning of this song, and there are the obligatory (or so it seems) dancers twirling around in the background.  Ivana is a rather severe looking blonde lady dressed in a cream trousersuit, and delivers her dramatic ballad with style and passion.   The backing dancers seem to be taking over at one stage though and I find them distracting.

5.   Nina Petkovic - Uzmi ili ostavi

Very dark and colourful stage of blues, reds and purples heralds the start of Nina's song.   Brunette Nina is basicakky dressed in a black leotard with a white floaty tulle skirt.  This is a rocky uptempo number and she gives it all she's got, slinking around on the stage whilst still keeping hold of her mike stand.  Oh no, here comes a backing dancer! - this time a bare-chested man to interact with her.  At the end of the song, he creeps up behind her and removes her tulle floaty skirt.

Now the 5 entrants have performed there was both a jury and public vote, and D-Moll and Ivana went to the Super Final, D-Moll eventually winning over Ivana  by 17 points to 12.   Andrea was 3rd with 7 points, and Nina and Monika tied for last place with 4 points each.

Congratulations to D-Moll and see you in Tel Aviv!

Sweden (semi 2) - Richard Isaac

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It’s Saturday—so it must be time for Melodifestivalen!

“Deltävling 2” started with a good-natured rap competition dubbed “Battle of Malmö”* (this week’s host city) between the female hosts, Sarah Dawn Finer and Marika Carlsson, decked out (for the moment) in colorful tracksuits. (The male hosts, Kodjo Akolor and Eric Saade (ESC 2011), were ostensibly stuck on “on the road.” More on them later.)

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But on to the competition, wherein seven songs compete for viewers’ votes. The top five then compete again, and the top two go on to the final on March 9; the next two highest vote-getters fight for survival on March 2. (See all the performances here.)

SONG 1 - “ARMY OF US” by Andreas “Stone” Johnson

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Performing in “Mello” for the seventh time (and eighth as song cowriter; he came in second in 2007), this young girls’ soccer football coach from Skåne found international success in 1999. This year he found inspiration in the team spirit of his players for this upbeat English pop song with a rock-ish edge. Personally, he reminded me mostly of Rick Springfield (The Husband says Bono), and the song put me in mind of last year’s entries from Switzerland and Romania.

SONG 2 - “I DO ME” by Malou Prytz

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From the small town of Ryd in Småland comes this 15-year-old quintessential Swedish girl: lovely, blonde, and an innebandy (floor hockey) player who also is studying economics. She’s sung since age 3; usually shy (she says), she comes alive on stage. All in sneakers and modest black-and-yellow plaid schoolgirl outfits against a backdrop of a school hall lined with lockers, Malou and her two backup dancers make the most of the catchy pop ditty (written in English by four women) about it being “not meant to be… you do you, I do me.” Charming!

SONG 3 - “I LOVE IT” by Oscar Enes

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Once a member of the Grammy-winning The Fooo Conspiracy (and eighth-place finisher in Mello 2017), this young man is now on his own, where “it’s all on you” to make all the decisions, and he co-wrote this English song that started slow and then turned into danceable pop. Twisting in his giant flashing cube (a bit reminiscent of Benjamin Ingrosso’s light show from last year), his middling vocals did not save the repetitive lyrics of this song that seemed to be about parents not understanding how much he (and his nail polish) love it, whatever it is (which we still haven’t figured out—maybe nail polish?).

SONG 4 - “LEVA LIVET” (Live Life) by Jan Malmsjö

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It’s been 50 years since Spain won Eurovision—and that was the same year Jan first (and last) performed in Melodifestivalen, coming in second with “Hej Clown.” Now 86, this longtime actor, who ran the NYC Marathon at age 50 and again at 70, still “feels young” and sings (in Swedish, at last) about not losing enthusiasm for life. Alas, his singing vocals have declined since 1969: some of the song was spoken, and all of it was performed in a theatrical manner. He shared the stage with three sultry female dancers, whose slinking about in front of a projected street scene captured much screen time. (Older performers seem to be a thing in Mello; last week Arja Saijonmaa (age 74, second in Mello 1987) performed, and Jonas Gardell, age 54, participated last year.)

SONG 5 - “NAKNA I REGNET” (Naked in the Rain) by Vlad Reiser

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This YouTube sensation from Belarus (who moved to Sweden at age 9) has 400,000 subscribers. The song (in Swedish, co-written by Vlad) had a catchy Latin beat, and he and his backup dancers (two men, two women) gave a kicky performance. Although some of them were dressed for it—in something plastic—there was no rain (like last week’s downpour that drenched Wiktoria), but they threw something that looked like water out of their pockets at one point.

SONG 6 - “HOLD YOU” by Hanna Ferm & Liamoo

Close friends for over a year now, Hanna (second place in “Idol” in 2017) and Liamoo (2017 “Idol” winner and 6th place in 2018’s Mello) sang a ballad (which Liam co-wrote) reminiscent of last year’s Spanish contribution at ESC. The lyrics (in English) included “Without you, I’m frozen” and “Wherever you go, I will follow.” Liam had a bit too much swagger for my taste, and I found the vocals just OK and the song a bit repetitive. (I’m also not much for ballads.) However, the windy background complemented the on-stage emoting.

SONG 7 - “TEMPO” by Margaret

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This lovely young woman comes from Poland, where she finished second in its 2016 Eurovision selection process, but though she doesn’t speak svenska, she has a Swedish record company and finished seventh in last year’s Mello (with one of my favorites, “In My Cabana”). This year’s attempt had a similar Latin-Caribbean motif. In an odd blue, asymmetrical velvet dress, she started surprisingly slow and weak, I thought, but the song soon picked up, with a number of sneakered backup dancers (some projected and some on stage), and finished strong (though it was no “Cabana”!).

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During the interval, the male hosts, Kodjo Akolor and Eric Saade (ostensibly “on the road” fixing a broken-down van) were featured in a humorous, clever music video about Melodifestivalen* itself, poking affectionate fun at how some (like to) hate Mello—but everyone talks about it. Mello has something for everyone (kids included), and it’s where everyone is welcome and can do what they want (cue Eric kissing a woman, then a guy, plus clips of a variety of unusual past acts). Guest appearances included Robin (“not Robyn!”) Bengtsson and Pernilla Wahlgren (fourth in Mello 1985).

OK, “vi har ett resultat!” In the first round of voting, “Army of Us,” “I Do Me,” “Nakna i regnet,” “Hold You,” and “Tempo” advanced. So long, Oscar and Jan!  

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In the second round, “Army of Us” and “Nakna i regnet” advanced to Andra Chansen (Second Chance) on March 2. But “I Do Me” and “Hold You” are on to the final on March 9!

Malou joined Hanna & Liamoo on stage for the reprise of their number.

So long, Margaret (sniff!), but grattis (congrats!) to Malou and Hanna & Liamoo!

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* Note: The videos of the hosts (possibly others too) may not be available from late on Monday, February 11 until February 23.

Hungary (semi final 1) - Chris

One of the most drawn out national selection processes in the Eurovision calendar trudged its way to the semi-final stage last Saturday – and boy has it felt drawn out this year. Once again, all eyes were on Budapest for an evening that promised half of the very best that A Dal 2019’s three preliminary heats had to offer. This time around, nine songs competed, only four of which would qualify for the Final to be held in two weeks time. As usual, the top three of those would qualify based on a combined judge/televote score, with the other six facing a run-off public vote for the final spot.

 There was, it seemed, a lot at stake last Saturday. Three of the nine acts (USNK, Yesyes, Deniz) that had qualified from the heats in sixth place thanks to the public alone would be looking to secure a podium place for a direct path to the Final. A further three (Petruska, Acoustic Planet, Konyha) had finished in second place in their respective heats and would be looking to go one better.

 What certainly didn’t improve however is my feeling of disappointment at the quality of entries this year. Perhaps I’m tending towards holding Hungary to a higher standard than other countries given its pretty decent record since 2012, but this year’s entries have lacked anything standout.  Since late January, we’ve been aware that Hungary will perform in the first half of SF1; a semi-final that counts amongst its ranks some potentially very big players. They just might need something better than what’s on offer to qualify.

 In any case, the semi-final went textbook. Freddie and Bogy were pretty decent hosts. The judges spent what felt like three hours giving comments to each act, and once again, I failed to agree on most occasions. It’s so frustrating to see the arbitrariness of their scores as well as the massive weighting their opinions can have on the final result. Nevertheless, there were few positives.

 The automatic qualifiers from the combined judge/public vote were:

1)    Acoustic Planet - Nyári zápor

2)    Petruska - Help Me Out of Here

3)    Vavra Bence - Szótlanság

The public run-off vote put The Middletonz and Roses in fourth place who therefore also qualified.

After tonight, I remain convinced that A Dal will produce a Eurovision winner, but I strongly doubt that that will be in 2019.

 These were my thoughts on the night in order of appearance:

 Song 1 - USNK – Posztolj

Heat 3’s sixth place, these budget Eminems showed little hope of progressing to the final. This is rap at its worst for me. The public must have agreed as they scored the duo one point less than in their heat. 7766 + 8 = 34.

 Song 2 - Yesyes- Incomplete

I actually quite liked this. The lead had seemingly improved his vocals, at least slightly, from heat 2 and the stage show was effective. A sixth place in heat 2 however always suggested an uphill struggle. 7677 + 8 = 35. Same score as in heat 2.

 Song 3 - Konyha - Százszor visszajátszott

I saw no change from their heat 1 performance where they had finished, unbelievably, in fourth place. If I were to say anything positive, it would be that it gave me faint Kedvesem vibes but, it’s a very budget Kedvesem if anything. 8868+8 = 38. Same score as in heat 1

 Song 4 - The Sign - Ő

Not really to my taste. Very repetitive and the harmonies were all over the place, but the staging was reasonably effective making good use of the confetti rain. A half-decent musical bridge wasn’t enough to save it however and it finished with one point lower than in its heat. 8778 + 7 = 37

 Song 5 - Petruska – Help Me Out of Here

First song of the night in English and a pretty exact replica of its heat 3 appearance. A sweet performance of a very average song. Should this go to Tel Aviv, I feel that enunciation would need improving. And again, it feels repetitive. Something about this reminds me of Silvan Areg from the French selection but I’m not entirely sure whether that’s a good thing or not. Still they managed a two-point improvement on their heat 3 second place to place second once again. 9889 + 8 = 42

 Song 6 - Acoustic Planet - Nyári zápor

The overall package wasn’t bad amongst the mediocrity of the rest. But that’s not really saying much. Another fairly average song but probably one of the better and more polished entries of the night. I wouldn’t bet it on it, but I would think this would qualify for Hungary out of a weaker semi-final in May. They rightly received the first 10 of the night (although again it’s all relative), and secured a two-point improvement on their heat 2 second place to take first place in this semi-final. 999 10 + 8 = 45

 Song 7 - DENIZ - Ide várnak vissza

No real change from their heat 1 performance. I think overall it was reasonably solid but rap/singing has been done at Eurovision and it has to be done extremely well to be passable. This, for me at least, didn’t meet that standard. For some reason it reminded me of something we’d see in Junior Eurovision. Again, not sure why. 7676 + 9 = 35. One-point improvement on heat 1.

 Song 8 - The Middletonz – Roses

I’d been waiting for this in anticipation of a major improvement. I saw András live at Copenhagen 2014 and had expected, pre-A Dal, something equal or better than his 2014 attempt. But like many before him, he probably should’ve stuck to the one attempt. This isn’t “Running” and as Ronny said in his review, ultimately comes across as pretentious. Still, the performance was memorable and with multiple pyros, the staging was probably the most ‘impressive’. With his experience, the song may qualify out of the semi if it goes to Tel Aviv. His qualification as the winner of the public run-off vote highlighted his substantial national support not replicated by the jury. 8888+9 = 41.

 Song 9 - Vavra Bence - Szótlanság

Finally, after what seemed like 17 hours, the show reached its anti-climactic final entry. I actually quite liked the song and the staging seemed to hold a deeper meaning than the other entries. Does it have potential? Yes. Should they change lead singer? Also yes. I almost felt sorry for him as if this was his first performance ever. He seemed very uncomfortable on stage, lacking both charisma and vocal power. Not speaking Hungarian, I don’t understand the lyrics, but any message the song was intending to have was definitely lost. Still, I reluctantly think it deserved its 3rd place and it managed to garner a three-point improvement on heat 2. 8899 + 8 = 42

Romania (semi 2) - Fred Medeiros

Which 6 of these 12 songs will qualify for the final?  5 being chosen by the jury and the 6th chosen by the public vote.

Song 1 - 2 Gents - “Ielele” - Eliminated

The song starts out in normal mid tempo pop territory but quickly becomes about the percussion both on tribal instruments and knee slapping along with chanting.  It feels very Eurovision in style but needs some production to clean it up.

Song 2 - Georgy - “Tears” - Eliminated

A simple ballad about the destruction of nature with a lovely string backing.  It is that message song that you expect in every competition. She is a very competent singer but overall it comes across as boring and uninteresting.

Song 3 - Olivier Kaye - “Right Now” - Qualified by Jury

The first song with a sense of what it is.  A retro sounding anthem that is well sung by Olivier who seems to be French.  He delivers an exciting performance about this being his time. It could very well be his time, Right Now!

Song 4 - Xonia -  "Discrete" -  Eliminated

Xonia dressed in a leopard catsuit delivers a screeching performance whilst dancing with a male topless dancer.  You see the dancing, outfit and staging have all been rehearsed thoroughly but the vocals unfortunately let down the sweet song.  Sung by another artist this could of been a contender.

Song 5 - TMW - “Make Me Your Man” -  Eliminated

A group of a male lead with 4 female dancers/backing singers bring a song which feels half rock and half sixties styles.  The combination feels weird and the performance feels like they are presenting 2 different songs.

Song 6 -  Johnny Bădulescu  -  "Give Up Now" -  Eliminated

A jean jacket cladded, glasses wearing solo singer delivers a touching song about breaking up.  The first artist that can truly sing and gave us a emotional filled performance. There are 2 dancers that accompany him on stage without taking away from his strong vocal delivery.  One to watch.

Song 7 - Echoes - “High Heels On” -  Eliminated

A rock band, all in black, singing a rock/pop/country song that doesn’t doesn’t seem to go anywhere.  Lots of ooh hoos but that’s about it.

Song 8 - Aldo Blaga - “Your Journey” - Qualified by Televote

Another ballad this time with a tuxedo wearing young man and a couple dancing.  It sounds like a singing competition winner’s song. A message song that builds in a dramatic way.

Song 9 - Letiția Moisescu and Sensibil Balkan - “Daina” - Qualified by Jury

Certainly the Barbara Dex award winning outfit of the night, a bright orange asymmetical wrap around dress covering in a garden of flowers.  Bucks Fizz style costume change as well. The song is a party chant folk song that Eurovision is famous for. Opa!

Song 10 - Laura Bretan - “Dear Father” - Qualified by Jury

Yet another ballad but this one has something.  A young girl dressed simply in white sings about her father but they goes into an operatic chorus.  Extremely different to anything we’ve seen tonight and goes down well in the arena with the loudest cheers so far.

Song 11 - Ester Peony - “On a Sunday” - Qualified by Jury

This time we have a moody mid tempo number with a singer dress all in black and what skin you see is dirty looking.  Lots of heys and jerky camera movements but she told a story at least which I couldn’t say about all the entries tonight.

Song 12 - Linda Teodosiu - “Renegades” - Qualified by Jury

Lastly we have a German singer delivering a diva style ballad that builds to a dramatic chorus.  Linda knows how to work the stage and to sell a song. Not the best song I’ve heard but again it stands out as it very different to anything else this evening.


Iceland (semi 1) - Michele Acott

Iceland has competed in the Eurovision Song Contest for nearly 30 years. Their best performances have been in 1999 and 2009 where they came second on both occasions.  They haven’t qualified for a grand final since 2014.

The first semi-final of Iceland’s selection competition, Söngvakeppnin was held last night in Reykjavik. Söngvakeppnin consists of two semi finals each containing 5 songs.  The best two songs in each semi final will proceed to the Grand Final. The public and a panel of judges will vote.

The four qualifiers from the semis and a wild-card (from the songs that have failed to qualify) will compete in the Grand Final.

These are the five songs from last night.  All entries in Söngvakeppnin release two versions of their song – one in Icelandic and one in English.  I’ll include both versions for your listening pleasure and will include the results at the end so I don’t spoilt it for you.

*       Daníel Óliver - ‘Samt Ekki’

English version ‘Licky Licky’ (best I say no more about this…)

A danceable song that reminds me of the Swedish entries from the last couple of years.  They’ll love this in the clubs.

*       Hatari - ‘Hatrið Mun Sigra’

English version - ‘Hate Will Conquer ‘(what a cheery title…) Unfortunately I can’t find a link for this

 Hmmmmm what to say about this. Vicious and aggressive techno-metal verses with a weirdly danceable chorus.  

*       Hera Björk - ‘Eitt andartak’

English version – ‘Moving On’

Hera won Söngvakeppnin  in 2010 where she went on to represent Iceland singing ‘Je ne sais quoi‘ where she placed 19th.

A melodious ballad with soaring vocals. If it doesn’t get sent to Israel I’ll eat my hat! Some may say it’s predictable, but I say ‘you go girl’.

*       Kristina Skoubo - ‘Ég á mig sjálf’

English version ‘Mama Said’

Reminds me of a 1960’s Motown song.  Inoffensive, upbeat and well sung with a catchy chorus.

*       Þórdís Imsland - ‘Nú og hér’

English version -  ‘What Are You Waiting For?’

A sweet pop song with a pleasant melody. Not terribly inspiring though.

Drum roll……… the two acts who have qualified to advance to the final are…..

Hera Björk and Hatari !!!

 

Ukraine (semi 1) - Barry Tsai

Vidbir Seli final 1 kicked off the Ukraine selection process with 8 acts competing for 3 places in the final.

The expert jury remains unchanged from last year consist of Jamala, Andriy Danylko (Verka Serduchka) and Yevhen Filatov and after brief introductions we're underway with the first act. 

The Hypnotunez -'Hey' (English)  kick off the show with their punk/jazz/swing offering.

The opening strains put me in mind of UK band Madness and the performance is energetic and worthy of its place in the semi final.

Letay "Myla moya" 

Circus themed staging sees Letay in the role of circus master joined onstage by a young girl on a giant globe and a unicyclist amongst others.  The staging is effective and the vocal performances solid.

Vera Kekelia "Wow!"     

Dressed in a discarded white fur and gold sequin dress, Vera delivers another sold vocal performance but the 'oh wow wow' bar room Jazz song is far too repetitive for my ears and not being a Jazz fan, not to my taste.

TseSho "Hate" 

Describing themselves as a Social rave band TseSho's staging is striking and polished.  The Art rock indie song it is sufficiently unusual and likely to polarize voters that it has the potential to either do very well or crash and burn.  pardon the obvious pun but you'll either love it or hate it! 

Yuko "Galyna guliala" 

Not for me, this one. Two piece band Yuli Yurina (vocals) and Stas Korolyov (electronics) deliver a rather uninspiring electronic pop offering that plods along and goes nowhere. 

Maruv "Siren Song" 

From the opening bars it is clear that this is going to be a polished performance and Maruv doesn't disappoint on that front,  the song is nothing particularly special, however style will probably prevail over substance and see this through to the final.

 Brunettes Shoot Blondes "Houston" 

The US indie college band vibe I get from this makes it seem oddly out of place in this contest.  The whole performance revolves around showcasing how clever the self built multi instrumental piano is - perhaps they should have worked as hard on the song which is painfully dull.                                                                       

Bahroma "Nazavzhdy-Navsegda"

Nice 'Police' sounding opening develops into a slow haunting electro pop tune set to minimalist staging. The reparative hook sticks in the brain but the song overall lacks impact.

Results

The 50/50 Jury tele vote split saw the following 3 artists advance to the final:

Yuko "Galyna guliala" 

Maruv "Siren Song"

Brunettes Shoot Blondes "Houston"

Latvia (semi 2) - Luc, Felipe, Marcos & Zac

On February 2nd, Latvia continued its search for Laura Rizzoto’s successor. 

Dziļi Violets feat. Kozmens - “Tautasdziesma

Marcos -These are the neighborhood dads singing in kilts. There was nothing I liked. No.

Felipe - Dziļi Violets is definitely a miss. They sing in English, French and Latvian and it's hard to understand them in all languages  They sing all right, but the song itself has no life. No.

Luc - it’s their very own Bohemian Rhapsody! Harmonies, presence, KILTS! Yes!!!!!

Zac - This was weird but in the coolest way? I stan harmonies, dramatic camera work, and kilts. Yes!

Peress - “Smaragdi un pelni

Marcos - Cool on-screen graphics, but song is too repetitive. Weak vocals progressively improved. No.

Felipe - Beginning lacks melody with disturbing bass sound throughout the rest of the song. Amateurish vocals, but points for singing in Latvian 😐 No.

Luc - very green. Confusing mess of ideas bizarrely constructed that it kinda worked!
Yes.

Zac - C'mon harmonies at the end! Her Lorde dancing needs work though. At least she's got a good voice. Yes.

Laika Upe - Listen to the Way that I Breathe

Marcos - I enjoyed their performance. I liked vintage sound. but it was a little too repetitive, and I had some trouble understanding the lyrics. Yes.

Felipe - I didn't like Laika Upe's nasal singing either  Very unclear what he was talking about, and it took too long for the song to become interesting. Mostly a miss as well. No.

Luc - Sit, stand, repeat. Great melody but completely failed live. No presence at all!
Nah.

Zac - As far as bands go, this wasn't the worst. Tolerable vocals, not bad lyrics. Yes.

Carousel - "That Night"

Marcos - Very repetitive. Good vocals. All around pleasant song. Needs lyrical variety. Yes.

Felipe - Simple song and unlikely to do well, but it's a song I’d listen to on my work commute. That being said, the staging needs adjustments to keep audiences interested. Yes.

Luc - circus band presented the song brilliantly for tv. While I enjoy this simple ditty, it does pretty much nothing. Yeah...

Zac - Very lounge singer-y. Nice voice but wouldn't stand out in the contest. No.                                                     

Kristiāna - "Remedy"

Marcos - Needs better staging. Good vocals, but song is repetitive and generic. Yes.

 Felipe - Kristiāna deserves the Barbara Dex  But the song is definitely a miss. Very generic beat with poor and tired sounding vocals. No.

 Luc - that outfit is shocking! Terrible phrasing, nothing too exciting here. But a good finish.
No

 Zac - Tragically, the backing track drowns her voice in the verses. If she can fix the production issues, I'd be ok seeing this in the final. Yes.                                                                        

Double Faced Eels - "Fire" 

Marcos - One of the better acts in this trash semi. Chaotic staging. Good effort. No.

Felipe - Super cliché, but their delivery wasn’t too bad. May very well pass this semi due to weak competition. Yes.

Luc - bit funky, well presented and interesting sound. A little rough on the vocals but no less enjoyable. Yes.

Zac - The fire magic trick was a good one, but I'm sorry he wasted it on such a mediocre song. No.                                                                

Adriana Miglāne - “Scared of Love"

Marcos - Adriana Miglāne - Standard pop song with good vocals. Pitch is too high sometimes. Sure.

Felipe - Bubblegum pop, Maria Olafs vibe, Total Eurovision cliché. Yes.

Luc - what was with the cramping choreography. This squeaky waif is just a budget budgerigar.
Noooooo!

Zac - Repetitive song, weak vocal, pretty outfit. No.                                                              

Markus Riva – “You Make Me So Crazy"

Marcos - A total Sergey Lazarev rip off, but Markus really sells it. Oh, and those dances moves? Atrocious Yes.

Felipe - Markus will make the final, but if he wins, he needs a new song. It’s bad. If he gets Philipp Kirkorov to produce him, he could even win ESC. Yes.

Luc - PVC queen with zero vocal ability bleats his way through a generic dungeon porn soundtrack filler.  NO!

Zac - There was... an attempt. The dancing was slick, and the outfits are cool, but he can't decide what notes he wants to hit. No


That’s all folks. After all the votes were counted, the Latvian public sent Dziļi Violets feat. Kozmens, Carousel, Double Faced Eels, Markus Riva to the final.  Make sure to join us on February 16th for the grand final. 

Czech Republic - Rachel Guttler

The Czech national broadcaster, Česká Televize (ČT), revived their successful and innovative online national selection process from last year to find their artist for the 2019 Eurovision Song Contest in Tel Aviv.

First up they selected 8 artists from the close to 300 submissions that were received late last year.  The artists and more importantly their songs were showcased during a press event on 7th January.  They were:

Andrea Holá – "Give Me a Hint"

Barbora Mochowá – "True Colours"

Hana Barbara – "Poslední slova tobě "

Jakub Ondra – "Space Sushi"

Jára Vymer – "On My Knees"

Lake Malawi – "Friend of a Friend” 

Pam Rabbit – "Easy To Believe"

Tomáš Boček – "Don’t Know Why”

You can view previews of the songs here

A combination of public vote and jury vote was used to select the successful artist.  The official Eurovision app was used as the tool to view the artists’ songs and for the public to cast their votes.

The jury was an international affair, featuring some ghosts of Eurovision past, such as JOWST (Norway), Cesar Sampson (Austria), AWS (Hungary), Ira Losco (Malta), Rasmussen (Denmark), Ryan O’Shaughnessy (Ireland), Alma (France), Zibbz (Switzerland), Elina Nechayeva (Estonia) and Ari Ólafsson (Iceland).  Also included in that jury was the combined result of the votes received from outside the Czech Republic on the official Eurovision app, essentially allowing everyone the chance to help select the winning Czech artist.

ČT really dragged out the suspense by releasing video messages of jury members awarding their 12 points progressively from the 22nd January right up to the “big announcement” on 28th January.

And the eventual winner was the band Lake Malawi with their song “Friend of a Friend” after finishing second in the public vote and equal first with the jury to collect a total of 22 points.

In equal second place on 18 points were Jakub Ondra (winning the public vote), Pamela Rabbit and fan favourite Barbora Mochowá (tied for first place with the jury).  You can see the full votes here 

Lake Malawi is widely described as an indie/alternative pop band. Their lead singer and also playing guitar is Albert Černý, with Jeroným Šubrt on bass and keyboard and Antonín Hrabal on drums. Their first single came out in 2014 and an album was released in 2017 to moderate success in the Czech Republic.

Friend of a Friend gives off that late 80’s British band vibe particularly with Albert’s strong accent in the speaking parts.  It’s cute and inoffensive but will struggle to reach the heights of last year's effort by Mikolas Josef.    

Now we await to find out what they sound like live….

Lithuania (Heat 3) - Michael Jones-Gomez

The third heat of the Lithuanian National Selection proved to be an entertaining evening, with entries varying in genres, staging, and languages.

Laimingu Būti Lengva - "Pasaulio vidury"

The first song of the evening often has a lot of pressure – and expectations – to define the evening. Unfortunately, “Pasaulio vidury” (In the Middle of the World) failed to live up to those expectations, offering a pitchy track that never peaked. The lead singer failed to hit the notes during much of the song, and the random “heeeeey” adlibs throughout the chorus was jarring against the dramatic backdrop of the music. The song received 0 points and placed 12th in the evening.

Voldemars Petersons - "Dancing with the Stars"

“Dancing with the Stars” was not the glitzy performance, as its name would suggest to those familiar with the show of the same name. The guitar ballad was well composed, but the staging for this performance was awkward at best, as it distracted from the singer. His voice seemed to only have one tone to it, which faired poorly for Voldemars, as the song received 2 points and placed 11th in the evening.

La forza - "Leisk tave paguosti"

In what could possibly be deemed the best outfits of the evening, La forza offered a power ballad that left much to be desired. The song, which translates to “Let You Comfort Yourself,” left me wondering how to do so after subjecting me to three minutes of pitchy vocals and dissonant harmonies. These downfalls defined the ill-fated performance, which scored 0 points and came in last place, at 13th.

Sofija Eitutytė - "My 7th Life"

“My 7th Life” brought the first performance of the evening worth enjoying with a dramatic song and sultry vocals. Sofija’s stage presence – or lack thereof – made the performance awkward to watch, and the basic staging left all of the attention on her, but these issues could have been remedied in time for the contest in May. Unfortunately, she earned 4 points and came in 8th place, missing the semi-finals.

Antikvariniai Kašpirovskio Dantys - "Mažulė"

I made the mistake of allowing "Mažulė" (Little Boy) be the first performance I watched of the Lithuanian final, which quickly set the tone for the evening. While a fun song, the ethnic rap track became repetitive and quickly approached “joke act” territory. Somehow, the track received 13 points and placed 4th in the night.

Dagna – “The Rush”

Dagna’s EDM-tinged track was a welcome break from the monotony earlier in the evening, offering a dramatic and unique change of pace. With stirking costumes and visuals, Dagna should have easily flown through to the next rounds; however, she scored 10 points, but with a weaker representation from the jury, narrowly missed the next round and placed 7th. 

Jurgis Brūzga - "CTRL ALT DELETE"

“CTRL ALT DELETE” occasionally sounds like an Ariana Grande reject, but Jurgis’ vocals set the track apart – particularly when he sings in a falsetto. The lyrics are kitschy and the composition of the track is already dated, but with a larger crew of dancers, he could stage an interesting performance. The track narrowly beat out “The Rush” and placed 6th with 10 points, entering the semi-final round.

The third heat of the Lithuanian National Selection proved to be an entertaining evening, with entries varying in genres, staging, and languages.

Kali – “Don’t B3long”

This tropical house track, with Kali’s awkward dancing and shrieking vocals, did not belong in the national final, and fortunately, came in 9th place with 4 points. Lyrically, the track has nothing unique or cohesive, and the simplistic production comes across as lazy.

Cheri – “Again”

Anything could have followed up Kali and stood out, but fortunately, a star with the looks of Britney Spears and a voice similar to Ms. Lauryn Hill’s appeared with a song about a lover continually hurting her. Cheri’s drawling vocals graced the stage with a slinking song that slid into 5th place with 11 points.

120 – “No Doubt”

This performance seemed to come out of the realm of Tik Tok, with the artists performing more dance tricks than actually providing a vocal performance worth writing home about. They’d make great back-up dancers, but their 10th place cements their fate as rappers. 

Monika Marija – “Criminal”

Monika’s strange spider-web hair detracted from the otherwise flawless performance, with stunning vocals and a beautifully-written song. “Criminal” stands apart as a highlight in the night and could easily mesh into Adele’s luscious discography. If Monika improves the backing vocalists for the next performances, and replaces her stylist, we could have our Lithuanian entry in May! 

Jurijus – “Run with the Lions”

The winning performance of the night came from Jurijus, with his ethereal-pop performance and intimate staging. The lyrics of the song are inspirational, and Jurijus offered a stunning vocal performance that exuded joy. Another contender for the Lithuanian entry, and one that could land in the Top 10 with the proper staging.

Jurgis DID + Erica Jennings – “Sing!”

“Sing!” closed out the evening with a fun and playful number about, well, singing, and an outfit that would make Barbara Dex proud. The lively song was the perfect feel-good closer, but with a surprising 3rd place, I’d be shocked to see this make its way to the final of Eurovizija, let alone to Tel Aviv. 

Italy (Heat 1) - Alan Tubery

San Remo 2019 is taking place again over 5 nights from the 5thFebruary and this year as usual a lot of famous and “oldies” are gracing the stage. Like last year, there will be no eliminations during the weeknight shows. I am reviewing the 1stnight were all the 24 songs are performed. 2 other OGAE ROW members will comment on this as well, so I guess I will approach more about the history of the festival as the 69th annual Sanremo Music Festival, a television song contest is held in the Teatro Ariston of Sanremo 

Famous names this year are Anna Tatangelo, Arisa, Daniele Silvestri, Il Volo who won in 2015, Loredana Bertè, Nek, Nino D'Angelo (not to confuse with Nino de Angelo who participated in Eurovision Song Contest in 1989 for Germany with the song "Flieger"), Paola Turci and the Grande Dame Patty Pravo who is participating for the 10thtimes without winning it.  Pravo is the third best-selling Italian artist of all time, after Mina and Adriano Celentano, having sold more than 120 million records. The 1strecord I bought from her is the 1968  “La Bambola” !

After listening to the 24 songs I would predict that the winner shall be between

Iramawith the song “La ragazza col cuore di latta” and Ultimowith “I tuoi particolari” with 

Il Volowith “Musica che resta” on the podium 

For the duet evening worth noting that Arisa will sing with Tony Hadley (Spandau Ballet) Ex-Otago with Jack Savoretti (who sing with Kylie Minogue “ Music's Too Sad Without You”) and 

Simone Cristicchi with Last year Ermal Meta

Last year  winning artists of the "Campioni" category of "Sanremo Music Festival 2018" Ermal Meta & Fabrizio Moro were given the right to participate in the Eurovision Song Contest representing Italy.  The winning songs and artists of Sanremo represented Italy at the Eurovision Song Contest in the period 1956-1966, and only occasionally later: in 1972, 1997, 2013, 2015 and 2017.In other years the winning artist was sent to Eurovision with another song, that was the case in 1967-1969, 1987, 1989 and 1993. Since Italy's come back to the Eurovision Song Contest in 2011-2013, 2015-2016, RAI chose their performers from one of the participating artists in the corresponding Sanremo year, but not necessarily the winner of competition. 

The Festival della canzone italiana di Sanremo (in English: Italian song festival of Sanremo) is the most popular Italian song contest and awards, held annually in the town of Sanremo, in Italy, and consisting of a competition amongst previously unreleased songs. It was the inspiration for the Eurovision Song Contest. It still uses a full orchestraand I wish Eurovision would do it too. The first edition of the Festival was held between 29 and 31 January 1951and was broadcasted  by RAI's radio station Only three participants performed Nilla Pizzi, Achille Togliani and Duo Fasano Starting from 1955 all the editions of the Festival have been broadcast live by the Italian TV station Rai 1.

Between 1953 and 1971 each song was sung twice by two different artists, each one using an individual orchestral arrangement, to illustrate the meaning of the festival as a composers' competition, not a singers' competition. During this era of the festival, it was custom that one version of the song was performed by a native Italian artist while the other version was performed by an international guest artist. That was the way for many international artists to debut with hits in Italian market in those years, such a case for Eurovision artists Lara Fabian, Mary Hopkin, Bonnie Tyler, Celine DionSandie Shaw, Françoise Hardy, Ofra Haza but also Stevie Wonder, Cher, Louis Armstrong, Jose Feliciano, Roberto Carlos, Paul Anka, Gene Pitney, Yardbirds, Marianne Faithfull, Shirley Bassey, Mungo Jerry, Dusty Springfield, Wilson Pickett, Miriam Makeba, Leo Sayer, Ray Charles, Grace Jones, Diana Ross, Laura Braniganand many others. 

The competing artists were split for the first time into "Big artists" and "Young artists" during the Sanremo Music Festival 1974.

The festival is used as the way of choosing the Italian entry to the Eurovision Song Contest and it has launched the careers of some of Italy's most successful singers, including Domenico Modugno, Andrea Bocelli, Bobby Solo, Alice, Laura Pausini, Eros Ramazzotti, Gigliola Cinquetti (Who won Eurovision in 1964) and Francesco Gabbani to name a few.

Controversy

In 2009 the song "Luca era gay" (English: Luca Was Gay), written and sung by Povia, was considered by some gay rights organizations as an anti-gay song. The controversy was also based on the name of the song's character: according to Aurelio Mancuso, president of the Arcigay, the name refers to Luca Tolvi, who claimed that Joseph Nicolosi cured his homosexuality. Povia denied this thesis and claimed that the song is about a man he met on a train, whose real name is Massimiliano. The song won second place in the Festival.

In 1968.Dionne Warwickentered San Remotogether with Tony Del Monaco with the song “La voce del silenzio”. The outcome was not the greatest for the two artists, as they placed last in the grand final.  But their entry became one of the most famous Italian songs of all time anyway, performed by several stars, including tenor Andrea Bocelli. And in 2018 — exactly 50 years after that participation — Warwick tried to take the stage of the long-lasting Italian music festival again. Now a music legend and second only to Aretha Franklin as the most-charted female vocalist of all time, with 80 singles across all Billboard charts combined, Warwick watched her bid end as a heartbreaker. Dionne confirmed that the Sanremo 2018 committee rejected her entry “Sparami” (Shoot me), a duet with Italian singer Silvia Mezzanotte, one of the 4 voices of Matia Bazar   “Sparami” will be released in two versions, included in Silvia Mezzanotte’s next album, which will be out in April. The English one (entitled “I Give To You My Heart”) has lyrics written by David, one of Dionne’s sons.

Matia Bazarrepresented Italy in the 1979 Eurovision Song Contest with a song called Raggio di lunaplacing 15th in a field of 19.

but at that time the singer was Antonella Ruggier (1975-1989) the others were Laura Valente (1990-1998) Silvia Mezzanotte (1999-2004 + 2010-2016))Roberta Faccani (2005-2010).


Here are the results of the 1st evening of San Remo .... after 5 hours another 4 nights to go ! After listening to the 24 songs I predicted that the winner shall be between Irama with the song “La ragazza col cuore di latta” and Ultimo with “I tuoi particolari” with Il Volo with “Musica che resta” on the podium So I am on track

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Malta - Scott Parsons

Michela Pace, just a few days past her 18th birthday, won not only a record contract with Sony Music Italy, but also will represent sunny Malta in Tel Aviv this May. 

Malta abandoned their traditional selection format in favor of sending the winner of the premier season of X Factor Malta. Hosted by four judges, Alexandra Alden, Howard Keith, Ray Mercieca, and Eurovision veteran, Ira Losco, X Factor offered a more well-known format to international viewers.

While previous years of the Maltese selection process typically gave us many familiar faces each year, X Factor gave us mostly new contestants (I still luv ya, Franklin Calleja). The traditional process was criticized as longevity being the key to winning, but that issue was off the table this year. Even though Michela had participated in 2017 with the lackluster “Cruise Control,” she really shined with her renditions of popular songs like Bonnie Tyler’s “Total Eclipse of the Heart” and Ed Sheeran’s “Perfect.” Even her risky choice of singing Lady Gaga’s “Shallow” really paid off as it showcased her ability to entertain in addition to her vocals. 

However, Eurovision fans will have to wait for the official song for Malta in Tel Aviv. X Factor only gave us the artist who will perform a song to be announced at a later date. I lamented the loss of the traditional format because X Factor gave us mostly cover songs instead of fresh song-writing. Audiences are constantly comparing performances to the originals. Plus, outside of Ira and Ray, the remaining two judges left me scratching my head. Alexandra’s critiques were often cryptic and often didn’t say anything at all (such as, post-performance “I can’t wait to see what you can do”). Howard Keith’s constant use of “sweetheart” to address the women really made my skin crawl (money men, bling bling). Despite those annoyances, the high production value of X Factor was a dramatic departure from previous years. In addition, we got to see some fresh talent from an island with a strong reputation for powerful vocalists. 

For now, we wait for the official song for Malta to be released. Winning performance geo-blocked, but you can see earlier episodes at https://www.tvm.com.mt/mt/tvmi/programmes/x-factor

Sweden (Semi 1) - Kevin Fansler

Sweden’s national selection, Melodifestivalen, kicked off with a great new set of hosts, some sass, and seven contenders in this semi-final for the chance to represent Sweden at Eurovision 2019.

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There are four hosts this year: three from Swedish radio and TV programs plus Eric Saade, who you may remember came in 3rd at Eurovision 2011 with his song “Popular.” Another of the hosts, Sarah Dawn Finer, may be familiar to you from her various comic bits at Eurovision broadcasts over the years as Lynda Woodruff, EBU Spokesperson. The other two hosts are Marika Carlsson and Kodjo Akolor.

The hosts opened with a song-and-dance number about giving it all in order to go to Tel Aviv in May. And then the program launched into presenting the seven acts and their songs.

If you’ve never watched “Mello” before, it’s a bit of a mix of inspiring interviews with the performers and then the songs themselves. Then there’s a bit of complicated narrowing down of the voting from seven contestants to five, then a revote, and then two competitors advance directly to the grand finale and two competitors get to compete in what’s called Andra Chansen, or “The Second Chance.” The two winners from Second Chance also get to move on to the grand finale. 

Also, if you don’t speak Swedish, you may wonder why there are two numbers to call for each contestant. One number is just a vote and the other number includes a small donation (approx. $1) to support Swedish Radio.

Song #1: Nano, Chasing Rivers

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The first competitor was Nano, who competed at Melodifestivalen five years ago. In his interview, he said this song was his comeback. No surprise then that the lyrics of the song included a chorus of “I’m going to come back.” It’s a good song, though Nano didn’t give the best vocal performance. There’s a bit of a gospel feel to the backing chorus. Very uplifting, especially when he sings “I don’t want to stay at the bottom for the rest of my life.” Nano will not be at the bottom as this performance was enough to get him into Andra Chansen.

Song #2: High15, No Drama

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The next song is by a girl group of teens who are either 15 or 16 now. They came from all over Sweden, so I suspect some music producer held auditions and put them together. They have some potential and good voices. The verses of the song had a bit of a reggae beat and sounded much like the song “Cabana” from Mello 2018, but the chorus was a straight-up chant, Spice Girls–style: “drink up no drama, drink up no drama, just drink.”

Overall, they could have used a bit more polish and better choreography, but the song was catchy. Alas, this song did not advance.

Song #3: Wiktoria, Not With Me

Wiktoria came in 2nd place in Mello 2016, so it’s no surprise that she’s back with a stunner, including a huge on-stage rainfall that soaks her through by the end of her song. In the green room afterward, Kodjo joked that she took singing in the shower to a whole new level.

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Imagine a modern-day Swedish Viking-ess belting out “Gave you my heart [something-something] not with me” in a rainstorm complete with diamond earrings and a ballgown and you get some idea of the SCHLAGER with all caps that this number evokes.

I won’t leave you in suspense: this was the first song to be announced to be moving straight to the grand finale.

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Song #4: Zeana feat. Anis Don Demina, Mina bränder (”My Fires”)

Female MCs have really taken off in the last year or so in Sweden, so it’s no surprise that this entry starts with a strong kickoff by Anis Don Demina. It was a little surprising that it was a hip-hop duet, with Zeana also rapping. But the chorus is infectious and easily singable after you’ve heard it one time through. Alas, hip-hop isn’t really the right style for Eurovision, but this will be a fun song to stream while stuck in traffic. This song did not advance.

Song #5: Arja Saijomaa, Mina fyra årstider (”My Four Seasons”)

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The next song is typical for Mello: an anthem in Swedish that will never possibly make it to Eurovision. But it will possibly get some radio airplay on Swedish radio and it will find a certain national audience.

This year’s entry is sung by Arja Saijomaa, who last performed at Mello way back in 1987. Her song is about cherishing the Earth and was inspirational. One of the hosts joked with her that she had set a record as the first anti-Donald Trump song at Mello.

Arja was dressed as a benevolent Mother Nature, all in flowy white, and the song had a children’s chorus, naturally. The children were somehow projected behind her to look like they were floating in space around the globe. I don’t want to sound too snarky as it was earnest and had something important to say, but it was clear this song was going nowhere. This song did not advance.

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Song #6: Mohombi, Hello

The next song was an instant crowd pleaser with Grammy-winner Mohombi giving us some moves, some falsetto singing, and interaction with an animated specter. The chorus is a repeated Hello (“hello hello hello”), but otherwise a winner. At one point, Mohombi appears to enter the animation, and then both spirits come to life on stage to dance the final chorus. This is the other song to advance directly to the grand finale.

Song #7: Anna Bergendahl, Ashes to Ashes

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The final song was Anna Bergendahl’s Ashes to Ashes. She’s another stately blonde singing a schlager, but this one feels a little more old-fashioned. On a set that is made to look like a forest lit by the rosy colors of a sunset, she sings about finding the fire within to move past your flaws and embrace your inner strength. Anna will have another chance to show her inner strength when she takes this song to Andra Chansen in a few weeks.

Entr’acte

While the voting was happening, the four hosts did a GREAT homage to Israel’s four winning Eurovision songs. See it if you can. But here are a few clips of the hosts dressed as Netta and her dancers for “Toy,” and then Eric Saade dressed as Dana International for “Diva.”

Finally, as the judges reminded us, if you don’t vote, you can’t complain about the results!

(This is slightly out of sequence to save time. There are multiple rounds of voting, and then the two acts who advance directly to the grand finale get to sing their number again.)

Mello only has three more semi-finals and Andra Chansen to go before the grand finale!

Estonia (Semi 2) - Cindy Zhang

On the night of February 2, Eesti Laul held its 2nd semifinal, where 6 more acts, out of a total of 12, were selected to join the final on the 16th.

Synne Valtri “I’ll Do It My Way”

The opener for the night sounds more suited for Eurovision 1979 than Eurovision 2019. Synne did give her performance with enough energy and conviction to sell it, even if her vocals were not always at 100%.

Iseloomad "Kaks miinust"

The retro vibes continue with this act’s classic rock n’ roll sound. A nice song, if a bit plodding with disorienting camera angles.

Lumevärv ft INGA "Milline päev"

A nice party song with a good beat. Inga performed it with great energy, but I thought she could probably do with a few back dancers.

Sissi "Strong"

The daughter of Dave Benton, the 2001 Eurovision winner for Estonia, Sissi cuts a striking silhouette in her dark blue suit. She’s very engaging as a performer, although I’m not entirely convinced by her vocals during the chorus.

Cätlin Mägi & Jaan Pehk "Parmumäng"

While this one might be marmite, it simply won’t be Eesti Laul without something quirky like “Parmumäng.” While I was initially baffled by the strange-sounding (and -looking) jaw harp when I checked out the MV, their performance had me sold.

Kadiah "Believe"

This entry is so sweet and sincere that saying anything less than nice would feel like kicking a puppy.

Kaia Tamm "Wo sind die Katzen?"

The weird German cat one, featuring: dark feline Alice in Wonderland, scientists in lab coats, cats, ‘80s disco DJ who proceeds to play the violin, and dancers in masks who resemble bank robbers. I almost wanted to see this win the whole thing just to see their unique brand of stark raving bonkers in Tel Aviv. Just watch it.

Kerli Kivilaan "Cold Love"

A chill song (no pun intended) with a cozy livehouse vibe and the best vocals thus far. Beautiful and understated.

Grete Paia "Kui isegi kaotan"

A good song with nice staging throughout. Grete Paia’s vocals hold strong most of the time, but isn’t always in tune and failed her on the key money-making high note.

Lacy Jay “Halleluja”

Eesti Laul goes international with a singer-songwriter number from this Dallas native. Girl really brings it on those high notes, but her “butterfly kimono” and her odd hand movements make the whole thing feel shamanistic rather than spiritual and anthemic.

Around the Sun “Follow Me Back”

Fun song for the Instagram generation. I liked the studio version, but the live vocals are a bit questionable.

Uku Suviste “Pretty Little Liar”

The vocals were on point, the interpretive modern dance complements the song well, and there’s good production value. Best package for the night.

The jury and televotes combined to send through Sissi, Kadiah, Kerli Kivilaan, and Uku Suviste, and Lumevärv ft INGA and Synne Valtri rounded out the list of finalists after a second round of televotes-only voting.

Hungary (Heat 3) - Wayne Ralph

The 3rd and final heat of A Dal 2019 was held on the evening of Saturday 2 February.   Once again it was 10 acts with 6 going through to join the 12 qualifiers from the previous 2 heats into the semi finals. This heat had some A Dal heavy hitters with past participants Leander Kills and Hungary’s 2017 8th placegetter, Joci Pápai.

Firstly, Freddie and Dallos were looking lovely, although they were more dressed for a day at the races rather than for crushing people’s Eurovision dreams.  Now on with the show…..   

Leander Kills - "Hazavágyom"

The audience is definitely into it and Leander Kills’ folksy, rock song has been one of the pre-competition favourites. It’s a builder but to me it feels like you are being yelled at for the last 30 seconds. They’ve had better songs. Score: 7-7-7-8-9=38 (did not qualify)

Petruska - "Help Me Out Of Here”

Another one who has been in A Dal before.  Bright, colourful staging to match the saccharine song. Preferred the studio version to the live but the jury certainly came to the party and helped Petruska out of the heat (see what I did there).  Score: 8-8-9-8-7=40 (equal 3rd qualifier)

Monyo Project - "Run Baby Run"

A sultry little number that is very economical with words.  That top note is quite something to the ears and to be honest it ends in a meandering stroll rather than a run.  Both the jury and the public took their advice and ran!  Score: 7-7-7-7-7=35 (did not qualify)

Bogi Nagy - “Holnap"

Bogi is cute as a button and for just 16 shows some of these “seasoned” performers how to do it.  Not much power in her voice and some very literal staging as her sweet song entitled “Tomorrow” is about growing up, so the platform she’s sitting on rises up high during the end of the song.  Aw.  Score: 8-9-8-8-8=41 (equal 1st qualifier)

Salvus - “Barát”

A harder rock song giving a nod to last year’s winner, AWS.  At least they’ve got more melody than AWS but there’s a bit too much talk singing for my liking.  Staging would be lovely on a cold wintery night.  Overall it comes across as a little bland and did not get any love from the jury. Score: 7-8-6-7-8=36 (did not qualify)

Ruby Harlem - “Forró"

Oh my, this was dreadful.  Some very flat singing throughout and a soul song without any soul.  Look out for some spectacular dancing from the trombone player.  The jurors giving this 9 were a disgrace, we see what you are doing!  Score: 7-8-9-9–7=40 (equal 3rd qualifier)

Joci Pápai - "Az én apám”

Joci has a song about his dad and it’s quite heartfelt going by the amount of tears he shed during the introduction piece. It definitely has a nod to his 2017 entry but without the rap or the milk jug.  Not a solid performance tonight, a wavering voice in the lower register and staging that pretty much just involved standing around and singing. Score: 8-9-8-8–8=41 (equal 1st qualifier) 

Kyra - "Maradj még”

Some “you want me, no you don’t want me” interpretive dancing between Kyra and a good looking Hungarian gentleman couldn’t save this one. Score: 5-6-6-5-6=28 (did not qualify)

USNK - “Posztolj"

These two guys are twitter fans obviously, with reference to hashtags in their urban rap.  Having googled the lyrics I worked out the song is actually a commentary about social media.  But they aren’t quite as Eminem as they want to be and there’s no retweet from me or the jury. A strong vote of 9 from the viewers who were obviously busy on their Instagram rather than listening to the actual song. Score: 6-6-7-7-9=35 (second chance qualifier)   

Mocsok 1 Kölykök - “Egyszer"

Well at least they used the stage well as visually it looked pretty good.  But this soft pop/rock song takes a very long 3 minutes to go nowhere. Score: 8-8-8-7-8=39 (5th qualifier)

In summary, there weren’t any real standout performances and Leander got killed!  Also, there was a nice nod to Australia and Jess Mauboy with We Got Love playing out over the final credits (where were our bloody televotes Hungary!).


It’s now over to Chris to for the first semi final. 

Estonia (Semi 1) - Alan Nachtigal

Eesti Laul 2019 is the 11th edition of the Estonian National Selection. Here we cover the first of two semi-finals, in which twelve songs are competing for six spots in the February 16 Final. The first four qualifiers will be determined by an even split of jury and televote, while the last two qualifiers will be selected from a run-off vote.

The Swingers, Tanja & Birgit – “High heels in the neighbourhood”

BOOM! Eesti Laul 2019 kicks off with the opening riff of a blistering saxophone. Tanja (Eurovision Estonia 2014) and Birgit (Eurovision Estonia 2013) are joined on stage by four instrumentalists from the Swingers. The vocals are strong all around and the energy of the Swingers make it feel like live instrumentation. The song is jazzy and fast-paced, and would translate well on the Eurovision stage.

Marko Kaar–“Smile”

Marko appears in a fitted leather jacket with a fresh cut and white sneakers. He is joined by four background dancers. His vocals sound just like the studio track. Some group choreography kicks in with the second verse. By the end of the song he is perhaps a little winded. The song is Spotify-ready, and he has a charm that may earn votes.

xtra basic & Emily J – “Hold me close”

Emily J appears on stage in a grey jumpsuit. Her vocals start strong and she knows how to work the audience and camera. A male and female dancer take center stage during the second verse – acting out elements of the lyrics. The 2nd pre-chorus begins to fall apart vocally and some ad-libbing falls flat, but she finishes strong. The song lacks a true chorus – just a pre-chorus followed by an instrumental hook. It worked for “Fuego,” right?

Johanna Eendra –“Miks sa teed nii?”

We start with a close-up of the lovely Johanna. Two back-up dancers join her on stage. Johanna walks the stage intently as the dancers perform modern movements that fans of “So You Think You Can Dance” will find familiar. The song is well-produced, the vocals are good, but structurally it doesn’t go anywhere. This feels buried in the middle of the show and easy to forget.

STEFAN – “Without you”

STEFAN is back and wants to win after his duo failed to advance to Lisbon in 2018. He’s looking handsome in a white button down, playing a black grand piano and longing for a lost love. His vocals are pitch-perfect, and we get interesting LED video effects when the drums kick in. The bookies have predicted this song to advance from the semi-final, and with good reason. It is catchy and well-crafted.

Sandra Nurmsalu –“Soovide puu”

Sandra stands alone in a white dress, slowly coming into focus as the camera pans in. Her voice is ethereal, and her pitch and tone are wonderful. Though she remains fixed in one place, the performance is mesmerizing. In the bridge section, the LED screens appear to show a tree slowly growing – someone please check backstage for Jamala! The song is beautiful and stands to do well with the jury and public.

Jennifer Cohen– “Little baby el”

The stage is awash in pink light. Jennifer has her hair pulled back and is giving strong Jennifer Lawrence vibes. She is joined on stage by five back-up singers in color-coordinated tops. The song is a love song to her daughter – it is sweet and sounds current. The background vocals are pitchy, and it isn’t clear to me why all five are needed.

SOFIA RUBINA (ft. JANIKA TENN) – “Deep water”

Starting in black-and-white, SOFIA is alone on the stage, serving some black flapper-dress realness. Is that a red hat she is wearing? Or a red weave up-do? Maybe it is both. Her vocals are strong with impressive flourishes, but she fails to use the entire stage or and engage the audience. The song itself sounds like a dance remix an old vocal, only halfway achieving the goal of making it sound current.  

ÖED – Öhuloss

These. Girls. Look. Fun. And. Quirky. The camera starts backstage, reminiscent of Sweden 2017. Lead singers Grete and Kristel are neon-clad and pause for a group selfie with their four back-up dancers as they take to the full stage. The song has swag, and is all about the driving bass and snare combined with sing-song melody. Their chemistry is evident, but vocally they sound winded by the end of the performance.

Victor Crone – “Storm”

Swedish singer (and birthday boy!) Victor Crone enters today’s semi-final as the bookie’s favorite to win. Among others the song is written by alumni Stig Rästa (Eurovision Estonia 2015). Victor starts alone on stage with an acoustic guitar…then suddenly the guitar is gone! When he goes into his upper register he strains and misses more notes than he hits. All at once there is a blond-haired woman behind him singing! Was she the one in the audience earlier? Never mind, because just as quickly she is gone! Next the audience disappears and he’s on a mountain top surrounded by wind, dark clouds, debris, and dangerous lightning. This is getting confusing – what of this is pre-recorded, what is live with camera effects? The storm goes away and he ends the song as he started, standing with his acoustic guitar. To do well at Eurovision he’ll have to make his vocals rock solid.

Ranele – “Supernova”

Ranele is wearing a camera-friendly sparkling dress, and is joined on stage by two men in their underwear. They are covered with body glitter. One is in trunks, one is in briefs – it’s great to have options! The men dance around the stage (sometimes with disco balls!), while Ranele for the most part stays in one place. The song has a catchy chorus and repeats the word “Supernova” enough that you are quickly singing along. Should the look served by this trio be added to your Halloween 2019 Vision Board? Yes. Will this song win Eurovision? No.

INGER – Coming home

Thankfully, INGER got permission from his parents stay up late for tonight’s performance. He starts alone on stage strumming his ukulele. The lighting for the stage is soft, and full of stars, the crowd waves their mobile-phone flashlights throughout. His vocals sound much like the studio version and are strong. The song itself is not offensive, has a good melody, and flows well from start to finish. I might forget this performance but going last has voting advantages.

The first FOUR songs to advance based on the initial jury and televote are: THE SWINGERS, TANJA & BIRGIT! STEFAN! VICTOR CRONE! INGER!

And the final TWO songs after the additional vote: SANDRA NURMSALU! XTRA BASIC & EMILY J!

Romania (Semi Final 1) - Alex White

The first semifinal of Selectia Nationala took place in the city of Lasi and featured a new look and format for the national selection.

Gone are the small and amateurish looking venues and production elements. Instead, a fresher modern look has taken over giving this selection a bit of a futuristic vibe. Also gone the way of the past are the four semifinals with too many filler songs. Now, there are two leaner semifinals with more gusto and talent throughout.

In this semifinal, six acts out of the 11 semifinalists advanced to the final which will be held on February 17th. The top five acts in the jury vote advanced directly to the final while the remaining acts left their fate up to the televote where the top vote getter from the remaining acts also advanced.

Those acts were (in chronological order):

1.     Trooper – “Destin”: A mix of folk rock and Jacque Houdek, these rockers found a unique way to kick off festivities with a memorable and catchy anthem. ADVANCED VIA JURY

2.     Berniceya – “The Call: Destiny of Love” (no video link): A strange and all too jarring pop-opera blend which was strangely staged and performed. Off note sank this one from the get-go. ELMINATED

3.     Ommieh & Anakrisez – “Rock This Way”: A step down from the lead duo performances last year, this song felt like a bad High School talent show entry. That being said, Anakirisz showed potential for an entry in the future. ELIMINATED.

4.     Teodora Dinu – “Skyscraper”: Darkly staged and a bit generic, this song didn’t stand out initially. However, a competent performance and strong vocals compared to many helped this one catch the ears of the jurors. ADVANCED VIA JURY.

5.     Dya & Lucian Colareza – “Without You (Sin Ti)”: A intriguing euro-ballad sung by best of the duos by far. Some shaky vocals made an appearance but this solid pop ballad used its power to woo strong scores from the jury. ADVANCED VIA JURY

6.     Nicola – “Weight of the World”: While this was a catchy electronic dance track, the staging let this entry down big time. Perhaps some better attention to the details could have saved this song.  ELIMINATED

7.     Steam – “The Way it Goes”: As a rock entry deeper into the lineup, one would think this song would stand out. Unfortunately, the lead singer’s bare arms couldn’t save the band in the eyes of the jury or the public. ELIMINATED

8.     Vaida – “Underground”: The national selection veteran returns with a power ballad that calls back to the songs of Eurovision past. Despite being denied entry by the jury, Vaida won over the public in a landslide to earn a place in the final. ADVANCED VIA TELEVOTE

9.     Claudiu Mirea – “We are the ones”: My personal favorite of the evening. This singer-songwriter bop filled the in-person audience and the jury members with cheer. A catchy song that could surprise the favorites in the final. ADVANCED VIA JURY

10.  The Four – “Song of my Heart”: An early fan favorite, this performance was a complete mess. A possibly catchy song was marred by weak vocals and the female members seeming like a duo more than a quartet. ELIMINATED

11.  Bella Santiago – “Army of Love”: The favorite to advance, this catchy dance tune justified its hype with the most polished performance of the night. The strongest contender for Tel Aviv in this semifinal.  ADVANCED VIA JURY

Semifinal 2 of Selectia Nationala takes place on February 10th.

 

Spain - Enrique Lopez de Vallejo

Once again, Spanish broadcaster (RTVE) chose the talent show Operación Triunfo as the way to designate the Spanish entry for the next ESC that will take place in Tel Aviv next May.

Unlike last year's selection process, the contestants knew from the very beginning that one (or more than one) of them, would go to Israel. Furthermore, in early October, the terms in order to find the song were published. It should be pointed out because RTVE not always published them.

According to those terms, on the one hand, the process was opened to the authors in general: all of them who had a mock-up recorded and not published could send it to broadcaster’s web. The authors could suggest the 'OT' contestants who considered themselves ideal to interpret their song, without the need for that suggestion to be binding. At the same time, RTVE and Gestmusic (production company of OT) would invite directly to ‘well-known’ authors to present proposals to the election process.

Still on the theme of the terms, two different committees would have the task to choose ten songs in each call. The twenty songs resulting from the process (10 chosen from among those sent through the web plus 10 direct election) would be assigned to different participants of 'OT 2018', which would be recorded them and these would be posted on rtve.es. These songs would be accessible for two weeks, and the public could vote for their favorites. The three most voted by users would have a guaranteed place in the OT Eurovision Gala. Another committee would choose, among the remaining 17 songs, a maximum of 7 songs that would also go to the final show in January.

When the publication date reached, with no explanation whatsover, only 17 songs were published. And that wasn’t the only dissapointed thing about the process: not all the OT contestants had a song and the public could only listen to a one minute snippet of each proposal; RTVE and Gestmusic wanted people to vote their favourites without listening the complete proposals.

After the voting period ended, the 3rd of January it was announced the list of three more voted proposals: María’s ‘Muérdeme’, Noelia with ‘Hoy vuelvo a reir a otra vez’ and ‘La Clave’ sung by Natalia. One day later, the ten finalists’ list was completed with Carlos Right and the song “Se te nota”, Famous with “No puedo más”, Julia’s “Qué quieres que haga”, Marilia with “Todo bien”, Miki and the song “La venda”, Natalia & Miki and “Nadie se salva” and Sabela with “Hoysoñaré”. Apart from the full line-up, RTVE revealed the date of the election Gala, the 20th of January, and that the full versions of each proposals would be released 48 hours before the Gala.

In a two hours show with familiar faces for Eurovision fans (Eleni Foureira, Pastora Soler or Doron Medalie) and after one single round of televoting, Miki’s “La venda”, with 34% of the votes, was elected to represent Spain in Tel Aviv. His performance was probably the best of the night, above the great favourite until then, María with “Muérdeme”.

“La Venda” is a enjoying party song, the kind of popular Spanish theme that usually animates both sport stadiums and festivals. The song was written by Adriá Salas, a member of ‘La Pegatina’, an alternative rumba and ska sound band radicated in Barcelona.

Now it’s time for Europe (and Australia, of course) to give opinion about this choice and its possibilities to reach a better position for Spain than the last years in the ESC.