Croatia - Semi Final two - Alex W

The second semifinal of Dora 2025, Croatia’s national selection for the Eurovision Song Contest, served as the penultimate showcase of what acts would be in the running to replace the successful Baby Lasagna as the country’s ESC representative ahead of the final. Held in Opatija, the second semifinal managed to showcase a diverse array of musical artists and genres, all of which would be competing for Croatia’s Eurovision ticket.

A total of twelve acts performed with a musical diversity that isn’t always seen in Dora. While only eight could advance to the final, the lineup included a mix of established artists and newcomers, including rapping Eurovision superfan turned Dora contestant Fenksta with the catchy “Extra.” Fenksta entered the contest with the hopes of adding some diversity to the Dora lineup which had grown quite stale over the years. His contribution along with many others helped make that goal of his a reality.

The show opened with the goofy 8-bit inspired “NPC” by Laurakojapjeva which not only eventually qualified but was also the first indication that this isn’t the Dora of old anymore. Among the standout acts were the aforementioned Fenksta, fan-favorite Luka Nizetic with “Juzina,” and the creepy yet poppy “Poison Cake” from the eccentric Marko Bosnjak. The diversity of genres, from pop to folk to electronica, highlighted the rich musical landscape of Croatia which had been sorely lacking in recent editions of Dora.

Other qualifiers to the final included Marko Skugor with “Sta da Boga molim ja”, Filomena’s “Strong”, Petar Brkljacic’s “Kraj” and Eurovision ticket contender “Daj, daj” from Ogenj. The one major shock of the night was the loss of Ananda’s “Love Lies Cold” to elimination. The song was perhaps too much of the same old thing for Croatian voters leaving their hearts ice cold for the song. There were no juries to save Ananda as the semifinals for Dora used 100% televoting to determine the songs advancing to the final.

While the Croatian contestants were the stars of the evening, they were nearly outshined by Norway’s 2023 representative Alessandra who served as the second semifinal’s interval act. Alessandra performed her televote hit “Queen of Kings” followed up by a memorable performance of Croatia’s 2023 Eurovision song “Mama SC!” by legendary Croation punk rockers Let 3. The in-house crowd loved the cover performance of Let 3’s song and eurofans across all social media platforms were thrilled as well. This was no doubt a highlight of the Dora festivities for many.

Upon its completion, the second semifinal showed that Dora is perhaps turning the corner towards becoming a solid national final that can help propel Croatia to sustained Eurovision success in the coming years.

Croatia - Grand Final - Davis W

"Ya know, I had my doubts about Dora this year but god damn it, you Croatians have done it again."

That was the text I sent to my Croatian friends, who initially turned me on to Dora in 2023, as Marko Bošnjak took the stage for his winner's reprise of "Poison Cake."

I was curious to see what Dora would do this year. In 2023, Let 3's overwhelming victory and great result at Eurovision pushed national interest in the contest to new heights. Then, with Baby Lasagna's Cinderella story from first alternate to second place in Eurovision, and winner of the public vote, expectations were at an all time high.

But I had my doubts. After two years of unprecedented success, it would be understandable for things to falter. Lightning already struck twice, could it happen a third time?

As I watched the two semi-finals, there were moments of joy and moments that felt like clips from Fire Saga. We had all the tropes: Clowns whose performance was much more interesting than their songs, wind machines and fire out the wazzoo, and even the eventual winner had a cape that looked like it would've been sucked into giant hamsterwheel, had there been one on stage. One of the highlights is an emerging trope that I love and desperately want more of: obsessive Eurovision nerds entering national finals, this year represented by Fenksta.

In the end, it was a very right race for the first place, which is a nice change from the last two years of absolute blowouts. In a way, its a microcosm of this season. Lots of deserving songs with no clear favorite.

"Poison Cake" fits perfectly into the Class of 2025. A fun, upbeat, and slightly goofy song that leans hard into the camp that first brought most of us into this wacky Eurovision family.

France - Rodrigo H

Alright Eurovision fans, gather 'round the glitterball! Hold onto your sequined hats because, drumroll please… we now know all the tunes battling it out for Eurovision glory in 2025! Yes, the last piece of the puzzle, the final sprinkle of French fabulousness, has landed. And who is the lucky chanteuse gracing us with her presence? None other than the mega-talented, multi-platinum selling superstar, Louane!

France decided to make their Eurovision entrance a moment. Forget a simple press release or timid presentation, oh no! Louane decided to drop her song, the aptly named "Maman," live and in front of a HUGE crowd. Where, you ask? Well, only at the Stade de France, during halftime of the final Six Nations Rugby match! Talk about making an entrance! Imagine the scene: burly rugby players tackling each other, and then BAM! Louane, belting out her Eurovision banger. It's a crossover event we never knew we needed!

Our Louane wasn't just standing there with a microphone, mind you. She had the full shebang – a marching band backing her up as she performed from some kind of elevated platform. The whole thing was clearly designed to wow both the roaring crowd in the stadium and all us Eurovision obsessives glued to our screens at home. Multi-tasking queen!

Now, before you start picturing that rugby stadium setup on the Eurovision stage, France's HoD, Alexandra Redde-Amiel, has already hinted that what we see in Basel next year will be "very different." Intriguing! So, while the rugby field premiere was epic, expect something new and sparkly for the main event.

Louane is no stranger to the spotlight, that's for sure. From winning a César Award (basically the French Oscars!) for acting, to topping the charts with her incredible voice, and even winning over hearts on The Voice of France, she's already had a pretty incredible career. But Eurovision seems to hold a special place in her heart. Apparently, it was her late mother's dream to see Louane on that iconic stage. Grab the tissues, folks, because this is getting emotional. Louane sadly lost both her parents when she was just a teenager, making this Eurovision journey even more meaningful.

So, what's the song all about? Well, "Maman" is described as an intimate, powerful, and totally universal track. Think moving, full of life, and the kind of song that just hits you right in the feels, no matter your age or background. Louane is basically carrying the hopes of the entire French nation as she heads to Basel for the Grand Final on May 17th, 2025. No pressure, right?

The lyrics are simple but deeply impactful, telling the story of growing up, from being a child to becoming a woman, and from a daughter to a mother. It's like a timeless love letter, a chat between the past and the present, a way to connect with those who are no longer with us. The melody starts off soft and airy but builds into something really raw and emotional, all carried by Louane's unique voice, which has this amazing mix of vulnerability and strength. Sounds like classic Eurovision ballad territory, the kind that can unite an entire arena in a sea of swaying hands.

So, there you have it! We now have all the songs locked and loaded for Eurovision 2025, with France and Louane bringing the emotional power ballad to the party. Get ready for the glitter, the glam, and maybe a few tears, because with "Maman" we're in for a rollercoaster of emotions in Basel! Let the countdown begin!

Cyprus - Alan W

On 2 September 2024, Cypriot broadcaster CyBC revealed that Theo Evan, a Cypriot-born singer-songwriter, would be representing Cyprus at the Eurovision Song Contest 2025, which will take place in Basel, Switzerland. This marks a significant moment as Theo Evan becomes the first native Cypriot artist to take the stage at Eurovision since 2017, following a long history of international representatives from Cyprus.

 Theo Evan, born Evangelos Theodorou in Nicosia, Cyprus, is a multi-talented artist whose career has spanned across music, dance, and acting. Theo showed an early passion for the arts, performing in local talent shows and theatre productions from a young age. As he developed his craft, he moved to Boston to study at the prestigious Berklee College of Music, where he further refined his skills in songwriting, performance, and production.

 His music blends elements of pop, electronic, and Latin influences, and since 2021, Theo has been steadily building his presence in the music industry. His previous singles, such as “The Wall”, “So Cold” and “Save Me from Myself” have showcased his versatile vocal style and unique approach to blending genres.

 Theo's Eurovision entry, "Shh," was released on 11 March 2025. Co-written by a team of experienced Eurovision songwriters—Dimitris Kontopoulos, Elke Tiel, Elsie Søllesvik, Lasse Nymann, and Linda Dale—"Shh" combines an infectious pop beat with a darker, mysterious undertone.

 Known for his dynamic performances (and if the official music video is anything to go by), Theo is expected to deliver something special on the Eurovision stage. He might even show us his golden locks

Sweden - Heat One - Kirk H

That time has arrived - The first heat of Melodifestivalen! This year, Melodifestivalen will consist of five heats of six songs each. In each heat, the top two songs as voted by the public will go directly to the final, with the third place finisher going to the “final qualification” round. Of those five, the one with the highest number of votes from the heats will go to the final, with the remaining finalist chosen by public vote.

Heat One takes place in Luleå. After the hosts’ opening intro and musical number, they introduce the acts for the heat, making a somewhat polarizing joke about Joost’s 2024 Eurovision disqualification in the process.

Song 1: Albin Johnsén feat. Pa – "Upp i luften" (Up in the air)
We start with an energetic rap-pop anthem with a party theme, which is reinforced by the tilted LED platform, flashing lights, and glittery suits. Although they are engaging and the tune is catchy, it is a bit familiar, with historically mixed results in the competition for this type of song.

Song 2: Maja Ivarsson – "Kamikaze Life"
Maja provides us with a dynamic performance while up on the stage alone, both the song and the staging channeling early ‘80s pop-rock divas (think Kim Wilde). Maja’s strong vocals and entertaining stage presence immediately made this feel like a strong contender to make the final.

Song 3: John Lundvik – "Voice of the Silent"
Returning yet again to the Mello stage, John per usual delivers flawless vocals on this powerful pop ballad. The staging is minimal, centered around a mirrored ball to start and eventually growing larger with more dynamic lighting as it became more uptempo. To me this is a clear finalist based on both artist and songwriting.

Song 4: Meira Omar – "Hush Hush"
Meira gives us an extremely catchy entho-pop ear worm (...boom boom, chicki, chicki, chicki) which also features lyrics in Dari and Hindi. The performance incorporates engaging choreography with four dancers and a reddish-pink theme, and while not necessarily ground breaking - just try not singing it after…

Song 5: Adrian Macéus – "Vår första gång" (Our first time)
A heartfelt pop ballad, although more ballad than pop this time, that starts more contemplative and intimate before gradually building into the chorus, which is a bit more energetic, as is the staging. While having its appeal and well-delivered by Adrian, it feels overshadowed by more compelling acts.

Song 6: Linnea Henriksson – "Den känslan" (That feeling)

A cheerful, very nostalgic ‘60s-style song, Linnea does the song and vibe justice. It is pure Eurovision, with her descending on a heart (which eventually catches fire) and an on-stage dress change. The song is super fun and lively, but definitely older school and unlikely to be a finalist in this era.

Following a performance by Käärijä (he sure gets around) and Swedish duo Hooja, John Lundvik is announced as the first finalist. After a second voting round, Maja Ivarsson also advances, while Meira Omar heads to the final qualification round.

Sweden - Heat two - Shana Z

Melodifestivalen Heat 2 takes us to Götebörg, where 6 artists compete for a spot in Sweden’s Grand Final! Two acts qualify via two rounds of 100% public voting, which is stratified by seven age groups to give 12, 10, 8, 5, 3, and 1 points for round 1 voting; round 2 is decided by total vote counts. The act with the second-highest votes in round 2 across all heats still has a chance to go to the Grand Final depending on the results of the second-chance voting after heat 5.

Nomi Tales opens the show with her self-authored “Funniest Thing.” In her Melodifestivalen debut, she delivers a dark pop anthem in an enchanted forest, singing, “You think you’re brave enough? Ha-ha-ha-ha-ha to be one of us? I don’t think so!” The strong vocals, moody staging, and contemporary dancers create an eerie and captivating performance.

Next, Schlagerz, a Swedish schlager dansband trio, debuts in Melfest with “Don Juan.” While schlager music is very popular in Sweden, their number sounds quiiiite similar musically to ABBA’s “Waterloo,” and the staging, camera angles, and costumes are a bit dated.

Erik Segerstedt follows with “Show Me What Love Is.” Competing for the second time since 2013, he wrote this song after watching “Married at First Sight”! Dynamic, bright background visuals complement his paint-spattered denim jacket, while Erik delivers strong vocals (and confetti!).

Melodifestivalen veteran Klara Hammarström (2020, 2021, and 2022 competitor) returns with “On and On and On.” The heartache-filled lyrics were co-written by a songwriting powerhouse team (including herself) led by Dino Medanhodzic, who also wrote three other numbers in this year’s Melfest! She sings atop a Greek-architecture-inspired pedestal, flanked by hidden dancers who make a handsy appearance. Her powerful vocals are enhanced by original and effective visuals.

Fredrik Lundman slows things down with “The Heart of a Swedish Cowboy.” This twangy country, is set against visuals of open landscapes and galloping horses, with lighting reminiscent of sitting in front of a bonfire as embers dance around him. Alone with his guitar, he sings of the constant hope of a “new tomorrow.”

Closing the show is Kaliffa and his reggaeton-inspired “Salute.” In his Melodifestivalen debut he delivers tropical island beats and imagery, surrounded by high-energy dancers. He emanates joy in his smooth vocals while making use of the pyro and confetti characteristic of a Eurovision party anthem.

While votes are tallied, host Edvin Törnblom entertains with “För männen som byter kanal,” a playful plea to keep straight men watching—think a Swedish-language “Love Love, Peace Peace.”

Results time! Erik Segerstedt secures a spot in the Grand Final in Round 1! In Round 2, the top three artists are Kaliffa, Klara Hammarström, and Nomi Tales. First announced is who is eligible for second-chance (the artists always seem elated which is confusing because they didn’t qualify yet…)—and it’s Kaliffa! Then the second finalist is announced: Klara Hammarström! We will see Erik and Klara in Stockholm, and perhaps Kaliffa? Only time will tell…

Vi ses!

Sweden - Heat Three - Jose LA

The third semifinal of this year’s Melodfifestivalen took place at the ABB Arena in Västerås on February 15th. The show was hosted by Edvin Törnblom and Keyyo Petrushina. Special guests included Eva Rydberg (who opened the show by singing a parody of Tattoo and Euphoria), Pandora (singing her 90’s Europop hit song, ‘Trust Me’), and THE ALMIGHTY Sanna Nielsen (who performed a medley of her Mello songs for the interval act). Sanna was then awarded her plaque as the newest member of the Melodifestivalen’s Hall of Fame. 



Now here are the results of the third semifinal:

What are my thoughts of the songs?

I LOVE YIHAA. I fell in love with it after seeing their performance. It is so catchy, bubbly, and fun! This will be this year’s song of the summer. It deserves a spot in the final. Annika’s song was good but she elevated it to another level. She has one heck of a voice. Her dress and choreography needs to be adapted though. Greczula was a wonderful surprise. He was channeling Freddie Mercury. His overall performance and staging were over the top and so busy but wonderful, nevertheless. Malou Prytz’s 24K Gold is catchy and different from her previous novelty songs. I understand that she is trying to move past her young/teen-ish image, but her outfit might have been too risque. Angelino (Teardrops) and Bjorn Holmgren (Rädda mig) gave amazing performances too, but I think their songs are forgettable. 

Bonus Pictures!

Exactly how big is Melodfestivalen here in Sweden? This song contest is HUGE!! Let me share a picture that I took of my supermarket’s deli and a screenshot of my bank’s phone app.




Sweden - Heat Four - David R

We’re back in Malmo for the fourth heat of Melodifestivalen 2025. I had amazing memories of attending the live shows last year inside the Malmo Arena. Ace Wilder opens the show with ‘Busy Doing Nothing’, with hosts Edvin and Keyyo joining her.

1. Andreas Lundstedt - "Vicious"          

We start off with postcards featuring Nannes Carpool, where singer Nanne Grönvall chats and sings with the competing artists. “Vicious” is an energetic dance pop. Andreas is singing with 6 background dancers, and the staging features a lot of red lighting.

2. Ella Tiritiello - "Bara du är där"

Melodifestivalen newcomer Ella is next, with Loreen as one of the songwriters. "Bara du är där" is a pop ballad in Swedish. She starts off singing laying down on a bed with purple lighting. Later on she got up, with flying butterflies across the screen.

3.  Tennessee Tears - "Yours"

Melodi nummer tre is the duo Tennessee Tears singing a country pop song ”Yours”. They are accompanied by a country band. It’s anthemic, and there’s a lot of guitar strings on this one.

4. KAJ - "Bara bada bastu"

Here comes Finnish band KAJ with their fun banger "Bara bada bastu". They are singing in Swedish with some Finnish lyrics. The staging starts with them sitting around a campfire with lumberjack dancers. We are also treated with a surprise sauna reveal. This is definitely an uplifting song that will make everyone say ‘Sauna!’.

5. AmenA - "Do Good Be Better"

Up next is Yemeni-Swedish singer AmenA. She is singing a pop ballad in English titled "Do Good Be Better". AmenA was alone on stage with 4 wires of lights from the ceiling. The final chorus showcased colourful lighting in the background.

6. Måns Zelmerlöw - "Revolution"

Finally here is former winner Måns. He is singing a 2010’s EDM track called “Revolution” between cardboard cutouts staging. This reminds me of Lesley Roy’s Maps. The stage opens up, with wind and confetti blowing.

 

After recap, the hosts were singing former Melodifestivalen songs dedicated to the six acts tonight. There is also a skit about ‘Schlager SM – 94’, which I found out was a music competition created in 1994 as a reaction to the poor quality of Mello entries that year.

The voting closed, and Måns was announced as the first finalist. Voting reopens for another round after. The interval act was Hasse Andersson singing ‘Guld och gröna skogar’. There are children on stage singing with him.

Finally, Ella Tiritiello was announced as third placer, and KAJ were announced as second finalist. Måns was dancing with them on stage for the reprise.

Recap of results:

1st - Måns Zelmerlöw - "Revolution" (Final)

2nd - KAJ - "Bara bada bastu" (Final)

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3rd - Ella Tiritiello - "Bara du är där" (Final Qualification round)

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Out:

4th - Andreas Lundstedt - "Vicious"

5th - Tennessee Tears - "Yours"

6th - AmenA - "Do Good Be Better"

Sweden - Heat five - David McK

Melodifestivalen Heat 5 and the final qualifier of 2025 were a thrilling and diverse showcase of talent, as Sweden’s beloved national selection for Eurovision reached a fever pitch. Held on March 1, the event, hosted at Husqvarna Garden in Jönköping, brought us a blend of pop, rock, heartfelt ballads, and all the glitter that makes this show so captivating. From the electrifying performances to the surprise results, this night did not disappoint.

The show kicked off with Arvingarna, the Swedish folk band that brought us the catchy and high-energy tune "Ring Baby Ring." Their performance was a true spectacle, filled with flashing lights, pyrotechnics, and an infectious energy that instantly set the tone for the evening. It was a perfect Melodifestivalen opener, full of fun and vibrant vibes. Lead singer Casper’s stage presence was undeniable, and the crowd couldn’t help but get swept up in the upbeat track. With their lively performance, it was no surprise they secured a spot in the Grand Final.

Following them was Arwin with the tender ballad “This Dream of Mine.” The performance was emotionally charged, with Arwin delivering a heartfelt rendition of the song. While the vocals were strong, the performance didn’t have the same impact as some of the more theatrical acts, and Arwin finished fourth. Despite this, it was a solid showing, and the sincerity of the performance was appreciated by many.

Saga Ludvigsson took the stage next with "Hate You So Much," and it was clear she wasn’t here to play it safe. Her performance was dripping with attitude, power, and conviction. The song was a perfect showcase for her vocal abilities, and her commanding stage presence made her one of the standout acts of the night. The song's fierce energy propelled her straight to the Grand Final, where she’ll undoubtedly continue to captivate the audience with her unique style.

Next up was Victoria Silvstedt, who brought the glamour with her track "Love It!" She served up a visual feast with sparkling costumes, captivating choreography, and an overall shiny presentation. However, despite the glitz and glam, her vocals weren’t as strong, and the performance didn’t quite resonate with the audience as much as it should have. Victoria finished in fifth place, not quite making the cut for the Grand Final.

Then came Vilhelm Buchaus with “I’m Yours,” a song that was heartfelt and sincere. Vilhelm’s performance was sweet, and while his voice was solid, the song itself lacked the hook to propel it further in the competition. He finished in third place, just missing out on the top two spots needed to secure a place in the final.

Finally, Scarlet delivered a high-energy rock performance with their track "Sweet N' Psycho." It was a bold, intense number that brought a refreshing edge to the show. Scarlet's vibrant stage presence and edgy vibe made them a favorite, and they earned their spot in the Grand Final with ease. Their performance was a reminder that Melodifestivalen isn’t just about pop—it’s about embracing a variety of genres and sounds, and Scarlet brought a much-needed burst of rock to the evening.

After the main show, the final qualification round, or Finalkvalet, took place to determine which additional acts would join the Grand Final. The third-place finishers from the previous heats competed in this round, and it was a tense moment for everyone involved. In the end, Dolly Style with "Yihaa" secured the highest combined vote and earned a place in the Grand Final. They’ve been a fan favorite for years, and their win here wasn’t a huge surprise. Meira Omar followed closely behind with "Hush Hush" and also secured a spot in the final.

Overall, Melodifestivalen Heat 5 and the Finalkvalet gave us a night full of surprises, energetic performances, and diverse music. With a mix of ballads, rock, pop, and everything in between, the night showcased the best of Sweden's musical talent. As we head into the Grand Final, there’s no doubt that this year’s competition will be one to remember!

Bring on Eurovision 2025!

Sweden - Grand Final - Steven L

Heja Sverige and rest of world!  It’s finalen of Melodifestivalen 2025 at Strawberry Arena in Stockholm. 

It began with Nemo’s acoustic version of “The Code” whose lyrics “I broke the code” foreshadowed what was to come.

There are twelve acts, but only one winner will be chosen to represent Sweden in Basel.  The hosts announce the acts through their original, “I Love Europe,” and it sounded like the audience roared loudest for KAJ then Måns.  We’re off to the performances.  Nu kör vi!

John Lundvik gave reliable vocals with “Voice of the Silent.” Expect him to do well tonight with a strong record with juries: third (2018), first (2019), and fourth (2022).

Took 10 years and 4 attempts, but Dolly Style’s “Yihaa” became a tongue-in-cheek country-pop earworm. 

Greczula’s “Believe Me” was this year’s throwback, channeling Freddie Mercury and Steve Perry. 

Klara Hammarström’s “On and On and On” showed how she has gone from strength-to-strength as a singer and performer.

Scarlet’s “Sweet N’ Psycho” gave solid vocals with infusion of 80’s rock production with fit-for-purpose, edgy staging.

Erik Segerstedt knew how to look at a camera, performing with vulnerability that elevates “Show Me What Love Is.” 

Not a frontrunner, Maja Ivarsson was just having fun with “Kamikaze Life.”

Meira Omar’s “Hush Hush” is next.  She and the cameraman delivered by not falling off the stage.

The odds-on favorite, Måns Zelmerlöw’s “Revolution” delivered again, hitting every camera cut and every note.  Technically faultless.

Saga Ludvigsson’s “Hate You So Much” showed that country can be fun for the Swedes.

Annika Wickihalder’s “Life Again” is filled with powerhouse vocals and a joyful performance exuding a “hometown girl” likeability.

Ending the night, KAJ’s “Bara Bada Bastu” is this year’s fun entry propelling them with a new cult following.

Our interval act was the fabulous Petra Mede, honoring those who love her – the gays. 

Vi har ett resultat! 

To the surprise of the juries, it’s close and not the runaway the pundits thought.  Måns edged out KAJ in the juries, winning 76 to 74 points.  Måns has now won the jury three times (2009, 2015, and 2025).

The juries effectively decided to let the public decide this year’s winner.

Usually last year’s winners perform, but Marcus and Martinus, who are Norwegian, weren’t in the country.  As a result, 2024 runner-up Medina took on the task.

Now to the public vote and the announcement of the winner.  It was always going to come down to Måns and KAJ.  KAJ got 90 points to Måns’ 81 points, not enough to beat KAJ.  KAJ edged out Måns for the win 164 to 157.  

Under Melodifestivalen’s current system, 2022 and now 2025 are the only times the juries and public disagreed on a winner.  KAJ joins Robin Stjernberg (2013) to ever win without winning their heat.  And this is Sweden’s first Swedish language entry since 1998.

“Bara Bada Bastu” caught Sweden by storm.  Can they ride the momentum in Basel and capture the hearts of Europe and the world?

Czechia - Patrick V

Czechia took a thorough and drawn-out approach to their selection & song debut for ESC 2025.  Last autumn the broadcaster, Česká televize, began an internal process by presenting the submissions to 3 different groups:  a 10 person panel of music execs and former ESC artists, a 900-person survey, and finally a smaller focus group.  Thankfully, all of them agreed on the best artist…

ADONXS (Adam Pavlovčin) began his own journey to the contest long before.  While studying vocal performance (developing his distinctive basso profundo), he made a promise that sometime before the age of 30 he would try for Eurovision.  The unpredictability of life led him there just in time, at 29, along a winding path that included:  working and performing in London (where he chose his stage name - inspired by drag culture);  moving back to Prague at the start of the pandemic;  and winning SuperStar, the Idol franchise for Czechia & Slovakia, in 2021!

ADONXS assembled a team and recorded 5 songs.  But with extra studio time, they tossed off another just for fun… and quickly realized it was the best option.  The impromptu moment allowed ADONXS to express some raw emotions.  “Every song heals a different part of me” he shared in an interview with WiWiBloggs.

Per Czech Television’s plan, ADONXS would have to hold those emotions close for a while longer.  He was announced as their representative on December 10, but the public didn’t have a chance to hear his song, “Kiss Kiss Goodbye,” until ADONXS performed as an interval act at MESC’s first semifinal on the 4th of February.  The “acoustic” version he sang began with just ADONXS and a piano, eventually building up to the full orchestra backing.  Ignore the tepid response from in the arena… many EuroFans began touting ADONXS as a real contender!

Finally on March 7, four months after being selected by the broadcaster, ADONXS’ song and music video were released. The track has a ton of musical variety: quiet lows & bombastic highs; somewhat Bond-theme with an orchestra, choir, and chimes; and a 32 count dance break!  The musical roller coaster works thematically with the angst of the lyrics: a story of love that hurts so good; desire for someone who just doesn’t feel the same way.  Should he stay or should he go?  Is it worth the pain, or will he really say goodbye this time?  Being open to interpretation gives it a wide relatability factor.  Is he singing of romance or, as the video would imply, his abandoning dad?

Whatever it truly means to him, ADONXS should have no trouble finding the emotions for his performance in Basel because he’s now been exposed to the most fickle love of all:  Eurofans.  Hot on the “acoustic” version, luke-warm on the full track… will they come around to see (and vote for) this brilliant song?  Either way, ADONXS should have fun.  After all, he’s just “another pop girlie who lives for the drama.”

United Kingdom - James L

The United Kingdom, through BBC, announced on October 16th 2024 their Eurovision 2025 entry would be, once again, internally selected. On 7 March 2025, during The Scott Mills Breakfast Show, Remember Monday were officially confirmed as the British representatives with the song "What the Hell Just Happened?"

 Remember Monday is a country-pop girl band consisting of Lauren Byrne, Holly-Anne Hull, and Charlotte Steele.  The band first gained attention in 2019 when they competed on the UK edition of "The Voice," where they were coached by Jennifer Hudson. They've since released two EPs and 12 singles.

 “What the Hell Just Happened?” was co-written by the band members along with Julie Aagaard, Kes Kamara, Sam Brennan, Thomas Stengaard, and Tom Hollings.

 “What the Hell Just Happened?” is an upbeat pop track with a mix of genres, including country-pop, power pop, and synth-pop.  The lyrics chronicles the aftermath of a fun night out with friends, showcasing the band's humor, relatability, and signature harmonies. Some fans compare it to Queen's iconic "Bohemian Rhapsody" due to its mix of styles and tempos.

This song moves between upbeat verses and a slower, anthemic chorus and is obviously designed to showcase the vocal harmony strength, which so well characterizes the band. 

 As for current reviews and betting odds, it appears this song will not be the United Kingdom’s 6th Eurovision winner. But… who knows? Maybe, after the show on May 17th, many people will be surprised and say … “WHAT THE HELL JUST HAPPENED?”

Lithuania - Night One - Richard I

Lithuania’s national selection kicked off on Saturday, January 11, with nine songs in the first of five heats:

1. LIT – "You're Not Alone"

Gabrielė Rybko, in a sparkly black-and-silver, space-themed outfit, with two masked backup dancers in tight red rubber suits, sang kind of a standard dance number in English, which I found a bit repetitive (a running theme in the show).

2 Mantas Ben – "Svajonės po 12" (Dreams after 12)

An atmospheric ballad, with mostly static staging and average vocals. Also repetitive: “I want you to flow like a river again / And I want to bloom again like a flower / I want you to believe in yourself again / And I want to accompany you home again” (five times!)

3 Rūta Budreckaitė – "Tai kur namai" (Where home is)

My favorite of the heat: Starting and ending with Ruta in a long pleated skirt on the stage floor, the song built dramatically, using LED effects of a bird, apple, and dagger, as well as an onstage mirror —definitely unique. “I searched like a cat / Where to cuddle / For a slight moment / To feel that warmth”

4 Anyanya – "Running Out of Time"

A soulful, midtempo ballad with gospel touch, three backup singers, several instrumentalists, dramatic lighting, and some LED. The interview was conducted in English, as Anyanya is Nigerian.

5 Aistay – "Meilę sapnavau" (I dreamed of love)

Midtempo ballad with good vocals; also used a mirror (!), and blue/green/yellow lighting. In a green flowered pantsuit, Aistay sang: “The morning smells of love when you hug / And when you wake up late, you realize / That I haven't felt your tenderness for a long time / Because maybe I dreamed of love?”

6 Ewa – "Tell Me Lie" [sic]

Eva sported a black off-the-shoulder dress with gold embroidery and puffy sleeves. Four flygirl backup dancers accompanied her average vocals on this tropical number with a repetitive chorus and lyrics that echoed a better song: “Do you know that I'm over this? / You'll regret that, you narcissist / I will dance like I'm free again / Like Chiki Chiki oh yeah Chiki Chiki oh yeah / Tell me lie, tell me lie, tell me lie-oh”

7 Viktorija Faith – "Scary Beautiful"

A pleasant ballad, but the staging was static, with a lush, flowery LED background. Another green dress!

8 Justė Baradulinaitė – "Tired"

Nice midtempo number, a bit Tracy Chapmanesque with a country touch and guitar solo. “'Cause you're not fond of me / And I deserve to be desired / Yet you're refusing me / And I think I'm growing tired”

9 Euften – "Goodbye Hell"

Kind of a plodding, repetitive rock number by three long-haired rockers (and one bald), all dressed in black, variously sporting a bandana, a jean jacket, and band T-shirts. “Instead of greed, pride, animosity / I choose serenity, love, generosity / But when enough is enough / It's enough”

The show, with a live audience, did not have a lot of bells and whistles, and was interrupted by long discussions with the five jury members. Hosts Gabrielė Martirosian, Nombeko Augustė, and Rimvydas Černiauskas (one of whom gave a quick English greeting to international viewers at the start) were personable and competent.

Results (50% jury, 50% public): Anyanya (12 + 12 points) and Juste (10 + 10) advanced to the final on Feb. 15.

Lithuania - Night Four - Dennis F

The fourth of five semi finals for Lithuania's selection saw nine songs compete for two spots for the final on 1 February 2025. Televoting and a five-person jury (including Lithuania's 2022 representative Monika Liu) decided which two lucky acts would advance to the final. 

SONG 1: WALKING WITH MY SHADOW - SIGA

Opening this heat is Siga, who competed in Eurovizija.LT 2024 as part of folk rock band Žalvarinis (which finished seventh). The song has an old-time radio jazz feel with some parts sounding with an almost Latin flavor inspired by the Sex & the City theme song. Siga is on stage with a dancer in a bowler hat, comes off a flirty and saucy-- almost an exact carbon copy of the music video. Graphics include Siga being silhouetted by the moon.

SONG 2: YOU'RE THE ONE - USTIN

Up next is Ustin with a sad piano ballad about a recent breakup. Dressed in a white tank and white pants and paired with a female modern dancer, the stage performance reminds me of Estonia's 2014 entry "Stay" with Tanja, but with a song similar to Markus Riva's 2015 Supernova contribution "Take Me Down." Ustin conveys his regret and heartbreak well through falsetto notes and the harsh jagged dance movements. Ustin and the dancer embrace in the end in front of a screen full of rain. 

SONG 3: <3 NEPARODAI - GODO YORKE

Next up with some light dance pop is Godo Yorke. Dressed in a neutral jumpsuit and black boots upon a teal stage (clouds, water, outerspace). The song has a lot of vocal gymnastics, and she is on stage alone doing a lot of hip bumps and finishes the song with a blow kiss. 

SONG 4: KO MAN NESAKEI? - JOSEPH JUNE

Dressed in a red (faux?) leather jacket and pants, Joseph June brings us a song that has plenty of electro synths and deep beats. Four female dancers in black crop jackets and red pants join him on stage. Song has not one but two, switches from red to blue lighting with strobe lights, similar to "Luktelk." Visually, very similar to last year yet although there are lots of synths, the song doesn't feel like a dance song, the song comes off as an interesting mix of genres.

SONG 5: FREEDOM - AMORALU

The song opens up in a dramatic fashion-- low fog, red lighting, black dress with train. Amoralu mainly stays stationary throughout the song with a serious tone, but the camera switches between close-up shots. Lots of big belting notes during this one-- sounds like it could be part of the score in the climax of a mysterious film.

SONG 6: TAVO AKYS - KATARSIS

From one dramatic song, to the next, this one in the rock variety. Drums and guitar galore, the band comes brings us something that reminds me of Muse with the long notes. Starting out the performance in front of a empty farm field (complete with a dilapidated barn!), the screen graphics finish with flying boulders. The dark performance comes off strong with lots of emotion.

SONG 7: AR MYLETUM - LIEPA

2000s Eurodance club song next. With orange lighting that makes Liepa and her dancers look almost like gold statues. Visually reminds me of Loreen's Tattoo - orange/desert-like hues, smoke, almost like there's a connection to nature. Another song that would be considered on the dark/serious side. 

SONG 8: BURY ME - MARIO JUNES

Mario Junes, who competed in Eurovizija.LT 2023 and finished ninth in the final, returns to the competition with a song about heartbreak. With a lot of backlit silhouette shots, Mario gives his all and shows the emotion of the song going from screaming parts to whispery falsettos. 

SONG 9: ZUI ZU BI  - THE DITTIES

Closing the show is a jazz trio. Describing their style as "electro swing" (as Alex from Electro Velvet would say, "oh yes!"), the ladies are dressed in matching red poodle skirts with heart shaped sunglasses. Lots of snapping and harmonies end the show on a fun note with the retro-inspired song.  

RESULTS

Sweeping the jury and televote, rock band Katarsis advanced to the final along with Amoralu. Two dramatic songs with visual and vocal power, definitely great additions to the final.

JURY VOTE

1ST: Katarsis

2ND: Amoralu

3RD: The Ditties

4TH: Liepa

5TH: Mario Junes

6TH: Ustin

7TH: Godo Yorke

8TH: Joseph June

9TH: Siga

TELEVOTE 

1ST: Katarsis

2ND: Liepa

3RD: The Ditties

4TH: Amoralu

5TH: Joseph June

6TH: Ustin

7TH: Mario Junes

8TH:Siga

9TH: Godo Yorke

Lithuania - Night Five - Evan S

On February 8, Lithuania held its fifth and final heat for Eurovizija.LT 2025. The show was hosted by Gabrielė Martirosian, Nombeko Augustė Khotseng, and Rimvydas Černiauskas. Nine songs competed for the final two spots in the national final, with scores determined by 50% jury vote and 50% televote. The jury included Monika Liu from Eurovision 2022.

The first performer was Donata with the song “Empower.” Donata’s vocals were strong, though the song lacked the lyrical and structural nuance that most modern audiences expect. By contrast, Donata was followed by Matas Ligeika, whose moody rock entry “Saule” called to mind the airy, plaintive solo work of Eddie Vedder and constantly surprised in the way that it evolved over its run time.

Next up was Lithuania’s 2018 Eurovision entrant Ieva Zasimauskaitė, whose ballad “Don’t You Ever Leave Me” was effectively staged though constantly teased an emotional climax that never quite arrived. On the opposite end of the ‘emotional authenticity’ scale, Matt Len grumbled “Not Alone” with affected vocals while dressed as a cowboy, whip in tow.

Ofelija then took the stage with “Širdelė,” a tender song well-suited to her vocal style, though lacking the immediacy required by a Eurovision entry. She was followed by husband-wife duo Sun Francisco, whose sharply lit performance of “Atsimerkt” did command attention though was over-egged with vocal runs. “Alright,” seventh on the night and sung by Justinas, offered a mix of musical theater, folksy orchestrations, and interpretative dance.

Sophie Ali was up next with “The Bluest Bell,” a cute number with arguably the best hook and best staging of the night. Set among a moonlit garden, the song might be compared to early Taylor Swift. And the final performance of the night belonged to Lion Ceccah, better known to Eurofans by their prior stage name Alen Chicco. Lion Ceccah is known for songs that border on performance art and “Drobė” was no different with a blend of powerful folk chanting, electrobeats, and a cacophonous digital interlude. Lion, never change.

After an interval in which former national final entrant Paulina Paukštaitytė performed her latest single “Pasilik praeity,” the votes were announced. The jury’s top 3 were Lion Ceccah, Matas Ligeika, and Sophie Ali, while the televote 3 were Lion Ceccah, Sophie Ali, and Ieva Zasimauskaitė. Combining the two, Lion Ceccah and Sophie Ali advanced to the national final. They will be joined by the top 2 from the first four heats and, in a special announcement also made tonight, two wildcards—Black Biceps from Heat 3 and Liepa from Heat 4. These wildcards had accrued the highest and third-highest televote totals of the heats but had failed to advance based on poor jury scores, prompting a large public backlash. They will now contend for the national final, to be held on February 15.

Lithuania - Grand Final - David D

Lithuania selects Katarsis with their song “Tavo akys” for the Eurovision Song Contest 2025

On February 15, Eurovizija.LT 2025 came to a close as Lithuania selected its representative for the Eurovision Song Contest in Basel. The national final marked the end of a long selection process, with 44 artists competing across five heats in January and February before twelve finalists took the stage, each performing live for the first time.

The show opened with shots of an enthusiastic audience, setting a welcoming atmosphere for what turned out to be a well-produced, family-friendly event—though its 3.5-hour runtime was a test of endurance!

Voting was split into two stages. First, a 50/50 Jury and Televote determined the top three artists advancing to the “Superfinal”:

🎤 Katarsis“Tavo akys”
🎤 Liepa“Ar mylėtum”
🎤 Lion Ceccah“Drobė”

Ultimately, Katarsis won, winning both the jury-televote round and the Superfinal public vote with 15,889 votes, over 4,500 votes ahead of runner-up Lion Ceccah. However, the announcement came with a minor hiccup—due to a technical error, the winner was declared before all votes were counted. The final result was officially confirmed three days later.

You can watch Katarsis’ winning performance here and check out the Honest Vocal Coach’s positive review of the song here!

Israel - Edward T

Yuval Raphael's will represent Israel at Eurovision 2025 with her song, New Day Will Rise.

At just 24 years old, and with no previous professional singing experience, Yuval emerged as the winner of Israel's popular TV talent show, HaKokhav HaBa (“The Rising Star”).  This competition has frequently been used to choose the Israeli entrant in recent years, with the song being finalised only once the winner is known.

Her victory in the show, held in January 2025, was the culmination of months of auditions and performances, where she impressed both the judges and the public with her vocal prowess and emotional depth.  The show is held in an arduous series of rounds with public voting in real time to determine if a candidate remains in the contest.

In the final, she performed a slowed-down emotional version of ABBA’s Dancing Queen.  This choice paid homage to Yuval's poignant personal journey.  She is a survivor of the of the events at the Nova Music Festival on 7 October 2023, where she endured a harrowing ordeal.

The song selection had begun prior to the final and took place in two rounds.  54 submissions were initially reviewed and voted on by a committee.  Yuval then recorded versions of the committee’s top three choices.  The song, New Day Will Rise, written by Keren Peles and produced by Tomer Biran, was then unanimously chosen.

The entry resonates deeply with Yuval’s personal story, being a powerful and emotional song that reflects themes of resilience and hope.  It is performed in English, French, and Hebrew, incorporating a line from Jewish scripture, emphasizing love and perseverance.

Yuval's musical influences are diverse.  She grew up in Ra'anana, Israel, but spent part of her childhood in Geneva, Switzerland, where she learnt French.  From an early age, she was exposed to a plethora of music styles, from rock to classical.  Her admiration for a wide range of artists shapes her unique vocal style.

The song was finally released to the public on 9 March 2025 after receiving EBU approval and is one of the bookies’ favourites.

Denmark - Dimitry P

Denmark’s National Final, the Dansk Melodi Grand Prix, was held on March 1st, 2025 live from Boxen in Herning. 8 artists competed for the right to represent Denmark at the 69th edition of the Eurovision Song Contest, with the top three artists (as determined by an international jury and the Danish public) facing off in a superfinal to determine the overall winner. In an interesting change from years past, voting was opened one week before the show; viewers could cast one vote on each song every day until February 28th.

The competitors included:


  • Singer, songwriter and dancer MARIYA with her song I Belong To Me, a rousing self-empowerment anthem.

  • Tim Schou, the singer of the band A Friend In London, who represented Denmark at Eurovision 2011 with the song New Tomorrow. Tim’s song Proud was about forgiving oneself for mistakes made in the past and growing from them.

  • Singer and songwriter Max Ulver with his song Supernova, which celebrated the explosive feeling of new love.

  • Former pro footballer Hervé Toure with his song Allez Allez, a declaration to move forward past one’s doubts with courage and resolve. Despite its French title, this was the only song in Danish at DMGP 2025.

  • Singer and songwriter Maria Mathea, whose songwriting credits included previous DMGP and Eurovision songs. Maria performed her song Air, a musical dissection of a brutal breakup.

  • Adel the Second with his debut single The Unluckiest Boy Alive, a song from the perspective of someone soliciting attention and sympathy, even though he might not deserve it.

  • Singer Sissal with her song Hallucination, which captures the disorienting feelings that come when one falls in love.

  • Singer Andreas Kruse with his song Hear My Prayer, a song in which the singer pleads for divine aid to face all the troubles we face globally and individually.


While votes were being tabulated, viewers were treated to interval performances from Saba, last year’s DMGP winner, as well as the legendary Birthe Kjær, who represented Denmark at Eurovision 1989.


Tim Schou, Adel the Second, and Sissal earned the chance to perform again in the superfinal, but after the dust settled, Sissal was the one left standing, holding the DMGP trophy. Now she is preparing for Basel, where she will compete in the second semi-final. Sissal promises a performance that is completely different from what we saw at DMGP, with enhanced visuals and staging supporting her stellar vocals. We wish her the best of luck in May!

San Marino - Semi Final - Peter H

San Marino Song Contest 2025 Semi-Finals: A Record-Breaking Musical Marathon!

San Marino has once again proven that size definitely doesn’t matter—at least when it comes to hosting an ambitious national selection for Eurovision! The San Marino Song Contest 2025 (newly rebranded and shinier than ever) has officially outdone itself, surpassing all expectations, breaking records, and possibly exhausting every music-loving soul in the process.

From 1,200 Songs to 20 Finalists: The Great Sammarinese Song Scramble

After receiving a staggering 1,200 submissions - because, let’s face it, everyone wants a shot at Eurovision - San Marino RTV whittled down the hopefuls through a rigorous process. The competition kicked off with “Academy and Casting” sessions between September 2024 and January 2025, where judges sifted through what must have been an overwhelming number of melodies, lyrics, and passionate performances.

By the time the semi-finalist reveal rolled around at the end of January, a whopping 221 artists (yes, you read that right!) had made the cut—almost doubling last year’s total. From February 13-15, the semi-finals took place across six intense sessions, a seventh session giving Sanmarinese artists their well-deserved spotlight, and a final “second chance” round. All in all, the semi-final process brought 11 artists into the national final.

Familiar Faces & Chart-Topping Stars

This year’s lineup featured some recognizable names from across the Eurovision universe and beyond. Among them:

Besa, who represented Albania at Eurovision 2024
Questo e Quello, the dynamic duo who stole hearts in Sanremo Giovani 2024
Teslenko, a former contender in Ukraine’s Vidbir national selection

But wait—San Marino saved the biggest surprise for last. Skipping the semi-final madness, nine “bigger” artists were granted direct tickets to the final. Among them? Italian dance music legend Gabry Ponteyes - yes, that Gabry Ponte of Eiffel 65 fame - who stormed directly into the final with his song “Tutta l’Italia”, the official Sanremo 2025 anthem that has already been a hit on Italian airwaves.

The Grand Final Awaits!

Before all the semi-final performances had even aired, San Marino RTV (SMRTV) pulled the ultimate power move and revealed the 20 finalists on February 25. With a mix of seasoned performers, Eurovision hopefuls, and rising stars, the stage is set for an unforgettable grand final on March 8.

Will San Marino’s next Eurovision representative emerge from this musical marathon? Will Gabry Ponte’s infectious beats take over the contest? And, most importantly, will next year’s selection process somehow feature even more artists?!

All will be revealed soon—until then, let’s take a deep breath and prepare for San Marino’s biggest night of the year!

San Marino - Grand Final - David LR

We have the song for San Marino 2025 - Tutta l'Italia by Gabry Ponte of Eiffel 65 fame. The final of Una Voce per San Marino San Marino Song Contest 2025 happened 8 March with 5 jury members choosing the winner.  Nine pre-qualified acts plus eleven from the seven semi-finals and the second chance round competed. 

The veteran Italian hosts actor Flora Canto and DJ Francesco Fachinetti kept the event moving, and they had as guest of honor Italian singer/composer Cristiano Malgioglio, reigning from his seat of honor next to the jury looking like Caesar Flickerman of the Hunger Games on retirement from his hosting duties. The audience looked like Sanremo in their finest Italian suits and elegant dresses. 

After an opening set from legendary Al Bano, presented with a lifetime achievement award, we were quickly presented with the 20 hopeful acts. The stage is notoriously small, but they did their best with a unique set of LED screens to back the performers. 

The variety of songs and genres was refreshing as they chose well this year. Most of the 20 could actually sing well, an improvement over past years, with no mention of Italian desserts or artic wildlife. Most attempted choreography, and they mostly had decent stage presence comparatively speaking (Romania 2023). There were familiar names besides Ponte, including Besa (Albania ESC 2024) and prior Sanremo artists such as Luisa Corna, Pierdavide Carone, Marco Carta, Bianca Atzei, and Silvia Salemi. 

They had two interval numbers among the contestants, Senhit (San Marino ESC 2010 and 2020 2021) performing Adrenalina (no Flo Rida) and Dangerous, and another where Fachinetti read a letter Sanremo style.... The running order on the official website seemed to be thrown out as artists performed out of order leaving some wondering what was happening.  After the 20 performed though, it was clear they had whatever issues under control.  

The interval act afterwards was La Rappresentante di Lista, another Sanremo veteran, with a mini-concert. Then, it was time for the winner! With 20 acts, they could do that in 2 minutes or 20 minutes. 20 minutes it was. Painfully talking non-stop after each name, the hosts announced 20 - 11 only to stop for the Producer's Award from San Marino RTV given to my personal fave, the song I by Angy Sciacqua who tied for 13th.  

They announced 10 - 3 to stop again for another award, the critic's award to Pierdavide Carone and his song Mi vuoi sposare? (Ask Krista Siegfrids. She seems up to it.)  So the top three!  Oh another award, called Una Voce per San Marino 2025 award from.... ??.... representing ... ?? ... The Rumpled and their rock song You Get Me So High won it.

The top three were Teslenko from Ukraine with Storm, The Rumpled second, and Gabry Ponte first. The Rumpled actually qualified via the second chance semi-final! (Maybe it was their rock accordion and rock violin that helped, because they made those instruments work for that song.)